{"id":{"repo_id":"cuny","oai_identifier":"oai:academicworks.cuny.edu:cc_etds_theses-2256"},"canonical_url":"https://search.dev.ndltd.org/etd/cuny/oai:academicworks.cuny.edu:cc_etds_theses-2256","repository":{"repo_id":"cuny","name":"City University of New York - City College","base_url":"https://academicworks.cuny.edu/do/oai/"},"display":{"title":"America’s Enabler: How Colson Whitehead’s The Underground Railroad Contributes to Racial Inertia","abstract":"<p>Colson Whitehead’s <em>The Underground Railroad</em> was met with near universal acclaim and enjoys regard as an important work which illustrates the difficulty and horror that was black life under chattel slavery. This essay argues that despite the work’s stated purpose, its ultimate, if unintended effect is to reify the current racial hierarchy. Drawing primarily from current events and an Afropessimist framework, I attempt to illustrate how this work, and others like it, occupy a specific space in the cultural zeitgeist bent to a specific purpose: obfuscating contemporary liberalism’s current transgressions from its past ones and maintaining a social stratum with blackness fixed to its lowest tier.</p>","abstract_html":"&lt;p&gt;Colson Whitehead’s &lt;em&gt;The Underground Railroad&lt;/em&gt; was met with near universal acclaim and enjoys regard as an important work which illustrates the difficulty and horror that was black life under chattel slavery. This essay argues that despite the work’s stated purpose, its ultimate, if unintended effect is to reify the current racial hierarchy. Drawing primarily from current events and an Afropessimist framework, I attempt to illustrate how this work, and others like it, occupy a specific space in the cultural zeitgeist bent to a specific purpose: obfuscating contemporary liberalism’s current transgressions from its past ones and maintaining a social stratum with blackness fixed to its lowest tier.&lt;/p&gt;","abstract_has_math":false,"creators":["Ba, Cherif"],"institution":null,"degree_name":"Master of Arts (M.A.)","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Keith Gandal","Robert Higney"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2024,"date_issued":"2024-01-01T08:00:00Z","date_published":"2024-01-01T08:00:00Z","updated_at":"2026-07-24T01:58:07Z","subjects":["afropessimism","anti-blackness","African American Studies","Modern Literature"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://academicworks.cuny.edu/cc_etds_theses/1222","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Keith Gandal","Robert Higney"]},{"key":"dc:creator","label":"Author","values":["Ba, Cherif"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2024-07-25T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (M.A.)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["afropessimism","anti-blackness","African American Studies","Modern Literature"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://academicworks.cuny.edu/cc_etds_theses/1222"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>Colson Whitehead’s <em>The Underground Railroad</em> was met with near universal acclaim and enjoys regard as an important work which illustrates the difficulty and horror that was black life under chattel slavery. This essay argues that despite the work’s stated purpose, its ultimate, if unintended effect is to reify the current racial hierarchy. Drawing primarily from current events and an Afropessimist framework, I attempt to illustrate how this work, and others like it, occupy a specific space in the cultural zeitgeist bent to a specific purpose: obfuscating contemporary liberalism’s current transgressions from its past ones and maintaining a social stratum with blackness fixed to its lowest tier.</p>"]},{"key":"dc:title","label":"Title","values":["America’s Enabler: How Colson Whitehead’s The Underground Railroad Contributes to Racial Inertia"]}]}],"canonical_facts":{"dc:contributor":["Keith Gandal","Robert Higney"],"dc:creator":["Ba, Cherif"],"dc:date.available":["2024-07-25T07:00:00Z"],"dc:description.abstract":["<p>Colson Whitehead’s <em>The Underground Railroad</em> was met with near universal acclaim and enjoys regard as an important work which illustrates the difficulty and horror that was black life under chattel slavery. This essay argues that despite the work’s stated purpose, its ultimate, if unintended effect is to reify the current racial hierarchy. Drawing primarily from current events and an Afropessimist framework, I attempt to illustrate how this work, and others like it, occupy a specific space in the cultural zeitgeist bent to a specific purpose: obfuscating contemporary liberalism’s current transgressions from its past ones and maintaining a social stratum with blackness fixed to its lowest tier.</p>"],"dc:identifier":["https://academicworks.cuny.edu/cc_etds_theses/1222"],"dc:subject":["afropessimism","anti-blackness","African American Studies","Modern Literature"],"dc:title":["America’s Enabler: How Colson Whitehead’s The Underground Railroad Contributes to Racial Inertia"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts (M.A.)"]},"updated_at":"2026-07-24T01:58:07Z"}