{"id":{"repo_id":"cuny","oai_identifier":"oai:academicworks.cuny.edu:cc_etds_theses-1937"},"canonical_url":"https://search.dev.ndltd.org/etd/cuny/oai:academicworks.cuny.edu:cc_etds_theses-1937","repository":{"repo_id":"cuny","name":"City University of New York - City College","base_url":"https://academicworks.cuny.edu/do/oai/"},"display":{"title":"The Process of Cultural Appropriation in Literature and How It Can Be Changed","abstract":"<p>This paper explores the ways cultural appropriation has existed in literature from the time of Sylvia Plath's poem \"Daddy\" to the present, with the publication of Jeanine Cummins's novel <em>American Dirt</em>. After dissecting the motives behind the exploitation of traumatic events and acknowledging the consequences appropriation has on the individuals it is portraying, the inclusion of NoViolet Bulawayo's novel <em>We Need New Names</em> proposes a way for contemporary literature to revolve around cultures without silencing voices and allowing individual identities to shine in the texts.</p>","abstract_html":"&lt;p&gt;This paper explores the ways cultural appropriation has existed in literature from the time of Sylvia Plath&#x27;s poem &quot;Daddy&quot; to the present, with the publication of Jeanine Cummins&#x27;s novel &lt;em&gt;American Dirt&lt;/em&gt;. After dissecting the motives behind the exploitation of traumatic events and acknowledging the consequences appropriation has on the individuals it is portraying, the inclusion of NoViolet Bulawayo&#x27;s novel &lt;em&gt;We Need New Names&lt;/em&gt; proposes a way for contemporary literature to revolve around cultures without silencing voices and allowing individual identities to shine in the texts.&lt;/p&gt;","abstract_has_math":false,"creators":["Meza, Wendy"],"institution":null,"degree_name":"Master of Arts (M.A.)","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Harold Aram Veeser","Robert Higney","Andras Kisery"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2020,"date_issued":"2020-01-01T08:00:00Z","date_published":"2020-01-01T08:00:00Z","updated_at":"2026-07-24T01:57:28Z","subjects":["Cultural Appropriation","Contemporary Literature","Migration","Exploitation","Identity","Literary Prize Culture","English Language and Literature"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://academicworks.cuny.edu/cc_etds_theses/843","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Harold Aram Veeser","Robert Higney","Andras Kisery"]},{"key":"dc:creator","label":"Author","values":["Meza, Wendy"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2021-06-05T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (M.A.)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Cultural Appropriation","Contemporary Literature","Migration","Exploitation","Identity","Literary Prize Culture","English Language and Literature"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://academicworks.cuny.edu/cc_etds_theses/843"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>This paper explores the ways cultural appropriation has existed in literature from the time of Sylvia Plath's poem \"Daddy\" to the present, with the publication of Jeanine Cummins's novel <em>American Dirt</em>. After dissecting the motives behind the exploitation of traumatic events and acknowledging the consequences appropriation has on the individuals it is portraying, the inclusion of NoViolet Bulawayo's novel <em>We Need New Names</em> proposes a way for contemporary literature to revolve around cultures without silencing voices and allowing individual identities to shine in the texts.</p>"]},{"key":"dc:title","label":"Title","values":["The Process of Cultural Appropriation in Literature and How It Can Be Changed"]}]}],"canonical_facts":{"dc:contributor":["Harold Aram Veeser","Robert Higney","Andras Kisery"],"dc:creator":["Meza, Wendy"],"dc:date.available":["2021-06-05T07:00:00Z"],"dc:description.abstract":["<p>This paper explores the ways cultural appropriation has existed in literature from the time of Sylvia Plath's poem \"Daddy\" to the present, with the publication of Jeanine Cummins's novel <em>American Dirt</em>. After dissecting the motives behind the exploitation of traumatic events and acknowledging the consequences appropriation has on the individuals it is portraying, the inclusion of NoViolet Bulawayo's novel <em>We Need New Names</em> proposes a way for contemporary literature to revolve around cultures without silencing voices and allowing individual identities to shine in the texts.</p>"],"dc:identifier":["https://academicworks.cuny.edu/cc_etds_theses/843"],"dc:subject":["Cultural Appropriation","Contemporary Literature","Migration","Exploitation","Identity","Literary Prize Culture","English Language and Literature"],"dc:title":["The Process of Cultural Appropriation in Literature and How It Can Be Changed"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts (M.A.)"]},"updated_at":"2026-07-24T01:57:28Z"}