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City University of New York - City College

La Cofradía de Artes y Artesanos Hispánicos: 1978 to 1983 Redefining Tradition in the New Mexican Art Market

Abstract

dc:description.abstract

<p><strong>La Cofradía de Artes y Artesanos Hispánicos: Redefining Tradition in the New Mexican Art Market. May 2019. </strong></p> <p>This master’s thesis explores the 1978 founding, existence, dissolve, and the legacy of the Santa Fe, New Mexican artist exhibition group, La Cofradía de Artes y Artesanos Hispánico (La Cofradía). La Cofradía was formed by six Santa Fe Hispano artists in reaction to creative limitations first imposed on Hispano artists in 1926, when the annual Spanish Market was formed. The Spanish Market was the sole arts sales venue available to Hispano artists in the exclusionary Santa Fe gallery and museum market. The Spanish Market aimed to preserve traditional Catholic, Penitente religious art objects and their craft from extinction and enforced that artists fashion replicas of examples created during the era of pre-twentieth century New Mexico. However, Anglo patrons exceeded their stated preservation aim by inculcating creative restrictions that aligned with Anglo consumer aesthetics.</p> <p>During the 1970s, as the Chicano civil rights and artist movement was in full force, the message of cultural appropriation and self-determination inspired the six Hispano artists to leave the Spanish Market and form La Cofradía. In the process of reporting the story of La Cofradía, this thesis examines related topics, such as the arrival of Spanish conquistadors to New Mexico, Spanish Colonial life in New Mexican settlements, Catholic Penitente origins, New Mexican santero art, the Chicano civil rights and Chicano art movement and contemporary Hispano art. Also included are significant interviews and first-hand accounts from La Cofradia artists and members Luis Tapia, Frederico Vigil, Vicente Martinez, Wilbert Miera, Pola Lopez, Juanita Jaramillo, Charles Carrillo Ph. D., David Escudero, as well as recollections of Edward Gonzales and, from the Armory of the Arts, Suzanne Jamison.</p>

Degree

thesis:*
Name thesis:degree_name
Master of Arts (M.A.)
Level thesis:degree_level
Thesis
Discipline thesis:degree_discipline
Art History
Year dc:date.available
2019

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Everett, Ethel Mercedes
Contributors dc:contributor
  • Lise Kjaer
  • Ana Indych-López
  • Craig Houser

Subjects

dc:subject × 13

Identifiers

dc:identifier.*
Repository record dc:identifier
https://academicworks.cuny.edu/cc_etds_theses/747
OAI identifier oai:identifier
oai:academicworks.cuny.edu:cc_etds_theses-1809

Chain of custody

source
Harvested from
City University of New York - City College
Base URL
academicworks.cuny.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Everett, Ethel Mercedes. La Cofradía de Artes y Artesanos Hispánicos: 1978 to 1983 Redefining Tradition in the New Mexican Art Market. Thesis thesis, 2019. https://academicworks.cuny.edu/cc_etds_theses/747