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The Graduate School and University Center of The City University of New York

East Asian and “Extraordinary”: Intersecting Racial and Musical Identities in the Classical Music Solo Career

Abstract

dc:description.abstract

<p>A performer’s success within the classical music industry is reliant not only on musical merit but also on extramusical factors like race, gender, class, and culture, all of which influence a musician’s upbringing. For East Asian musicians, distinctions of merit can be accompanied by racialized and often paradoxical narratives about Asian identity that essentialize their performance, personality, and background. This dissertation examines how Asian and Asian-American performers of Western classical music navigate this interplay of racial and musical identity within their careers, with a specific focus on string players and pianists.</p> <p>Chapter 2 introduces five major racialized narratives used to characterize Asian musicians. It reveals that these stereotypes are often contradictory, reflective of their historical contexts in which a White and Eurocentric system sought to control and undermine Asian bodies. It also considers how famous solo artists have at times accommodated, perpetuated, confronted, or distanced from these narratives to various effects. Then, the crux of the discussion brings the focus to how Asian musicians internalize and navigate these perceptions of Asian identity for themselves. Chapter 3 explores how talented young soloists simultaneously subscribe to classical music’s meritocracy while being subject to racial capitalism from young artist management. Chapter 4 reveals that for more established Asian performers who are also artistic directors of their own organizations, their leadership grants them the power to create, organize, and curate musical acts that amplify the fusion between their unique musical and racial identities. In focusing on Asian classical musicians, this dissertation attends to the lesser-discussed viewpoints and experiences of individuals who are engaging with classical music and the industry in noteworthy ways.</p>

Degree

thesis:*
Name thesis:degree_name
Doctor of Musical Arts
Level thesis:degree_level
Doctoral
Discipline thesis:degree_discipline
Music
Grantor
The Graduate School and University Center of The City University of New York
Year dc:date.available
2025

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Chen, Audrey
Advisor dc:contributor.advisor
  • Joseph Straus
Committee members dc:contributor.committeemember
  • Stephanie Jensen-Moulton
  • Eric Hung
  • Anaar Desai-Stephens

Subjects

dc:subject × 7

Identifiers

dc:identifier.*
Repository record dc:identifier
https://academicworks.cuny.edu/gc_etds/6316
OAI identifier oai:identifier
oai:academicworks.cuny.edu:gc_etds-7414

Chain of custody

source
Harvested from
City University of New York - Graduate Center
Base URL
academicworks.cuny.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Chen, Audrey. East Asian and “Extraordinary”: Intersecting Racial and Musical Identities in the Classical Music Solo Career. Doctoral thesis, The Graduate School and University Center of The City University of New York, 2025. https://academicworks.cuny.edu/gc_etds/6316