The fashion industry itself is broad in scope and dependent upon numerous sub-industries to produce its garments. It is heavily dependent upon machinery of all kinds, yet unlike many industries today, it is still also largely reliant on manual labor, specifically minority women labor. This dependance upon manual labor correlates with its long history of worker exploitation and sweated labor. The concentration of exploitative labor practices in the fashion industry have made it a focal point in the ongoing struggle between workers and the downward pressure capitalism and industrialization placed on worker compensation, quality of life and job security.
This study considers the material culture of dress, not solely as an artifact or theory within fashion, but as an object of craftmanship. Utilizing the recreation of the “Tanagra Dress” originally designed by Rosa Genoni in 1908 and my personal experience of over a decade within the New York Garment industry, I will explore professional divisions and obscurities of an enormous industry that often leaves its explicit process and makers out of the narrative. The project of recreating Rosa Genoni’s “Tanagra Dress” incorporated seamlessly a tangible object, to an obscure process, with a long history that will inspire this body of work.
","abstract_html":"<p>The fashion industry itself is broad in scope and dependent upon numerous sub-industries to produce its garments. It is heavily dependent upon machinery of all kinds, yet unlike many industries today, it is still also largely reliant on manual labor, specifically minority women labor. This dependance upon manual labor correlates with its long history of worker exploitation and sweated labor. The concentration of exploitative labor practices in the fashion industry have made it a focal point in the ongoing struggle between workers and the downward pressure capitalism and industrialization placed on worker compensation, quality of life and job security.</p> <p>This study considers the material culture of dress, not solely as an artifact or theory within fashion, but as an object of craftmanship. Utilizing the recreation of the “Tanagra Dress” originally designed by Rosa Genoni in 1908 and my personal experience of over a decade within the New York Garment industry, I will explore professional divisions and obscurities of an enormous industry that often leaves its explicit process and makers out of the narrative. The project of recreating Rosa Genoni’s “Tanagra Dress” incorporated seamlessly a tangible object, to an obscure process, with a long history that will inspire this body of work.</p>","abstract_has_math":false,"creators":["Trupiano, Christina"],"institution":"The Graduate School and University Center of The City University of New York","degree_name":"Master of Arts","degree_level":"Master","degree_discipline":"Liberal Studies","degree_department":null,"school":null,"contributors":[],"advisors":["Eugenia Paulicelli"],"committee_chairs":[],"committee_members":["David Humphries"],"year":2024,"date_issued":"2024-02-01T08:00:00Z","date_published":"2024-02-01T08:00:00Z","updated_at":"2026-07-24T02:00:26Z","subjects":["Art and Design","Arts and Humanities","Fashion Design","Apparel","Culture","Dress","Fast Fashion","Fashion","History","Craftmanship","Industrialization"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://academicworks.cuny.edu/gc_etds/5909","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Eugenia Paulicelli"]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["David Humphries"]},{"key":"dc:creator","label":"Author","values":["Trupiano, Christina"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2024-01-12T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Liberal Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Master"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["The Graduate School and University Center of The City University of New York"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Art and Design","Arts and Humanities","Fashion Design","Apparel","Culture","Dress","Fast Fashion","Fashion","History","Craftmanship","Industrialization"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://academicworks.cuny.edu/gc_etds/5909"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The fashion industry itself is broad in scope and dependent upon numerous sub-industries to produce its garments. It is heavily dependent upon machinery of all kinds, yet unlike many industries today, it is still also largely reliant on manual labor, specifically minority women labor. This dependance upon manual labor correlates with its long history of worker exploitation and sweated labor. The concentration of exploitative labor practices in the fashion industry have made it a focal point in the ongoing struggle between workers and the downward pressure capitalism and industrialization placed on worker compensation, quality of life and job security.
This study considers the material culture of dress, not solely as an artifact or theory within fashion, but as an object of craftmanship. Utilizing the recreation of the “Tanagra Dress” originally designed by Rosa Genoni in 1908 and my personal experience of over a decade within the New York Garment industry, I will explore professional divisions and obscurities of an enormous industry that often leaves its explicit process and makers out of the narrative. The project of recreating Rosa Genoni’s “Tanagra Dress” incorporated seamlessly a tangible object, to an obscure process, with a long history that will inspire this body of work.
"]},{"key":"dc:title","label":"Title","values":["Fashion, Freedom, and Feminism: The Transcendent Work of Rosa Genoni and Her \"Tanagra Dress\" Reimagined"]}]}],"canonical_facts":{"dc:contributor.advisor":["Eugenia Paulicelli"],"dc:contributor.committeemember":["David Humphries"],"dc:creator":["Trupiano, Christina"],"dc:date.available":["2024-01-12T08:00:00Z"],"dc:description.abstract":["The fashion industry itself is broad in scope and dependent upon numerous sub-industries to produce its garments. It is heavily dependent upon machinery of all kinds, yet unlike many industries today, it is still also largely reliant on manual labor, specifically minority women labor. This dependance upon manual labor correlates with its long history of worker exploitation and sweated labor. The concentration of exploitative labor practices in the fashion industry have made it a focal point in the ongoing struggle between workers and the downward pressure capitalism and industrialization placed on worker compensation, quality of life and job security.
This study considers the material culture of dress, not solely as an artifact or theory within fashion, but as an object of craftmanship. Utilizing the recreation of the “Tanagra Dress” originally designed by Rosa Genoni in 1908 and my personal experience of over a decade within the New York Garment industry, I will explore professional divisions and obscurities of an enormous industry that often leaves its explicit process and makers out of the narrative. The project of recreating Rosa Genoni’s “Tanagra Dress” incorporated seamlessly a tangible object, to an obscure process, with a long history that will inspire this body of work.
"],"dc:identifier":["https://academicworks.cuny.edu/gc_etds/5909"],"dc:subject":["Art and Design","Arts and Humanities","Fashion Design","Apparel","Culture","Dress","Fast Fashion","Fashion","History","Craftmanship","Industrialization"],"dc:title":["Fashion, Freedom, and Feminism: The Transcendent Work of Rosa Genoni and Her \"Tanagra Dress\" Reimagined"],"thesis:degree_discipline":["Liberal Studies"],"thesis:degree_level":["Master"],"thesis:degree_name":["Master of Arts"],"thesis:institution_name":["The Graduate School and University Center of The City University of New York"]},"updated_at":"2026-07-24T02:00:26Z"}