Back to results

The Graduate School and University Center of The City University of New York

Urban Plateaus: Alienation, Disappearance, and the Random Encounter in Post-1945 Literature and Film

Abstract

dc:description.abstract

<p>This dissertation is an examination of literary and filmic representations of the post-1945 city, organized in three thematic sections—“Alienation”; “Disappearance”; and “The Random Encounter and Possibility of Community”—each of which is composed of a diptych of two “plateaus.” “Alienation” investigates Sam Selvon’s <em>The Lonely Londoners </em>(1956) and Mathieu Kassovitz’ <em>La Haine</em> (1995), two works that feature groups of men living in former colonial European capitals—London and Paris—who, though they possess full legal status, are racialized and othered by the general white population and hostile architecture that surround them. “Disappearance” seeks to explain the mysterious disappearances of Lila in Elena Ferrante’s Neapolitan Novels (2011-2014) and Hae-mi in Lee Chang-dong’s <em>Burning</em> (2018). In the protagonists’ meta-literary reconstruction of events—tinged with the tropes of magic realism—their friends’ disappearances become metaphors for their respective cities: Lila as the unassailable porous spirit of a violent male- and mafia-dominated Naples, and Hae-mi as the signifier of Seoul’s rapid urbanization tied to the destruction of the natural environment. The final section considers potentially liberating representations of the city in Roberto Bolaño’s <em>The Savage Detectives</em> (1998) and John Wilson’s <em>How to With John Wilson </em>(2020-2023). These latter works reimagine everyday life in 1970s Mexico City and contemporary New York City through the implementation of surrealist-adjacent artistic techniques from prior eras: Guy Debord’s Situationist practices, and Viktor Shklovsky’s <em>ostranenie</em>, or defamiliarization. The dissertation’s ultimate aim is to both contribute to the field of knowledge on the city—real and imagined—as well as to serve a disalienating function for the reader.</p>

Degree

thesis:*
Name thesis:degree_name
Doctor of Philosophy
Level thesis:degree_level
Doctoral
Discipline thesis:degree_discipline
English
Grantor
The Graduate School and University Center of The City University of New York
Year dc:date.available
2023

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Goldberg, Ethan
Advisor dc:contributor.advisor
  • Wayne Koestenbaum
Committee members dc:contributor.committeemember
  • Ashley Dawson
  • Peter Hitchcock

Subjects

dc:subject × 9

Identifiers

dc:identifier.*
Repository record dc:identifier
https://academicworks.cuny.edu/gc_etds/5472
OAI identifier oai:identifier
oai:academicworks.cuny.edu:gc_etds-6574

Chain of custody

source
Harvested from
City University of New York - Graduate Center
Base URL
academicworks.cuny.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Goldberg, Ethan. Urban Plateaus: Alienation, Disappearance, and the Random Encounter in Post-1945 Literature and Film. Doctoral thesis, The Graduate School and University Center of The City University of New York, 2023. https://academicworks.cuny.edu/gc_etds/5472