Konohana

<p><em>Konohana</em> is a concerto for clarinet and ensemble written for the ensemble Court-Circuit in the context of the Composition Academy Philippe Manoury and the Musica Festival in Strasbourg. Konohana (Konohanasakuya-hime) is the goddess of Mount Fuji and the princess of cherry blossoms. She is associated with the sakura and the ephemeral beauty of its blooming. This piece is inspired by the symbolism of the cherry blossom as well as the socio-cultural aspect of the blooming flowers. From the clarinet, contrapuntal lines emerge and progressively densify the instrumental texture like rhizomes. This densification is interrupted by the presence of « inserts », ephemeral blocs of material radically different and interconnected to each other. The clarinet takes advantage of these moments to increasingly gain power. From a subtoned sound to a full sonority, the clarinet distances itself from the rest of the ensemble, which tries to fulfill the function of demiurge during these inserts.</p> <p>In this piece I applied the different concepts of silence theorized in the first part of this dissertation. <em>Konohana</em> was premiered on October 6th 2017 at the Musica Festival by Pierre Dutrieu and the ensemble Court-Circuit under the direction of Jean Deroyer. The piece is 10 minutes long.</p>

Name thesis:degree_name

Doctor of Philosophy

Level thesis:degree_level

Doctoral

Discipline thesis:degree_discipline

Music

Grantor

The Graduate School and University Center of The City University of New York

Year dc:date.available

2023

Author dc:creator

• Besingrand, Jean-Patrick

Advisor dc:contributor.advisor

• Scott Burnham

Committee members dc:contributor.committeemember

• Jason Eckardt
• Jeff Nichols
• Dimitri Papageorgiou

• Composition
• Clarinet concerto

Repository record dc:identifier

https://academicworks.cuny.edu/gc_etds/5445

OAI identifier oai:identifier

oai:academicworks.cuny.edu:gc_etds-6544