This project examines the development of an education department at the Brooklyn Academy of Music (BAM), the oldest performing arts institution in the United States (1861), and argues that education programs in cultural institutions attempt to fill gaps in cultural capital that have been reproduced across generations while also highlighting the need for comprehensive arts education in public schools. An investigation of education for young people at BAM—from weekend programming for the children of Academy subscribers, to a fully staffed branch serving students throughout the tri-state area (often during the school day)—offers a porthole into the larger municipal history, particularly the history of public education, of New York City. The dissertation chronologically charts three education programs at BAM (the “Young Members Course,” which began in 1915; “Shakespeare Teaches” [1997-2018]; and “Arts and Justice” [2006-present]) in order to compare and contrast the evolving goals of the department. The project outlines the struggles that the department faced after BAM’s split from the Brooklyn Institute of Arts and Sciences (BIAS), the umbrella organization under which BAM existed until 1971. These challenges point to an enduringly complicated relationship between pleasure and instruction; they similarly raise questions related to young people and cultural stratification, particularly as BAM (under the leadership of Harvey Lichtenstein) became a bastion of highbrow, avant-garde culture.
","abstract_html":"<p>This project examines the development of an education department at the Brooklyn Academy of Music (BAM), the oldest performing arts institution in the United States (1861), and argues that education programs in cultural institutions attempt to fill gaps in cultural capital that have been reproduced across generations while also highlighting the need for comprehensive arts education in public schools. An investigation of education for young people at BAM—from weekend programming for the children of Academy subscribers, to a fully staffed branch serving students throughout the tri-state area (often during the school day)—offers a porthole into the larger municipal history, particularly the history of public education, of New York City. The dissertation chronologically charts three education programs at BAM (the “Young Members Course,” which began in 1915; “Shakespeare Teaches” [1997-2018]; and “Arts and Justice” [2006-present]) in order to compare and contrast the evolving goals of the department. The project outlines the struggles that the department faced after BAM’s split from the Brooklyn Institute of Arts and Sciences (BIAS), the umbrella organization under which BAM existed until 1971. These challenges point to an enduringly complicated relationship between pleasure and instruction; they similarly raise questions related to young people and cultural stratification, particularly as BAM (under the leadership of Harvey Lichtenstein) became a bastion of highbrow, avant-garde culture.</p>","abstract_has_math":false,"creators":["Harb, Anna S"],"institution":"The Graduate School and University Center of The City University of New York","degree_name":"Doctor of Philosophy","degree_level":"Doctoral","degree_discipline":"Theatre and Performance","degree_department":null,"school":null,"contributors":[],"advisors":["James Wilson"],"committee_chairs":[],"committee_members":["Jean Graham-Jones","David Savran"],"year":2023,"date_issued":"2023-06-01T07:00:00Z","date_published":"2023-06-01T07:00:00Z","updated_at":"2026-07-24T01:59:21Z","subjects":["arts education","New York City public education","applied theatre","Brooklyn Academy of Music"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://academicworks.cuny.edu/gc_etds/5262","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["James Wilson"]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Jean Graham-Jones","David Savran"]},{"key":"dc:creator","label":"Author","values":["Harb, Anna S"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2023-06-01T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Theatre and Performance"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Doctoral"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["The Graduate School and University Center of The City University of New York"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["arts education","New York City public education","applied theatre","Brooklyn Academy of Music"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://academicworks.cuny.edu/gc_etds/5262"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This project examines the development of an education department at the Brooklyn Academy of Music (BAM), the oldest performing arts institution in the United States (1861), and argues that education programs in cultural institutions attempt to fill gaps in cultural capital that have been reproduced across generations while also highlighting the need for comprehensive arts education in public schools. An investigation of education for young people at BAM—from weekend programming for the children of Academy subscribers, to a fully staffed branch serving students throughout the tri-state area (often during the school day)—offers a porthole into the larger municipal history, particularly the history of public education, of New York City. The dissertation chronologically charts three education programs at BAM (the “Young Members Course,” which began in 1915; “Shakespeare Teaches” [1997-2018]; and “Arts and Justice” [2006-present]) in order to compare and contrast the evolving goals of the department. The project outlines the struggles that the department faced after BAM’s split from the Brooklyn Institute of Arts and Sciences (BIAS), the umbrella organization under which BAM existed until 1971. These challenges point to an enduringly complicated relationship between pleasure and instruction; they similarly raise questions related to young people and cultural stratification, particularly as BAM (under the leadership of Harvey Lichtenstein) became a bastion of highbrow, avant-garde culture.
"]},{"key":"dc:title","label":"Title","values":["“For ‘Their Own Good’”: Education, The Performing Arts, and Social Justice at the Brooklyn Academy of Music, 1915–2023"]}]}],"canonical_facts":{"dc:contributor.advisor":["James Wilson"],"dc:contributor.committeemember":["Jean Graham-Jones","David Savran"],"dc:creator":["Harb, Anna S"],"dc:date.available":["2023-06-01T07:00:00Z"],"dc:description.abstract":["This project examines the development of an education department at the Brooklyn Academy of Music (BAM), the oldest performing arts institution in the United States (1861), and argues that education programs in cultural institutions attempt to fill gaps in cultural capital that have been reproduced across generations while also highlighting the need for comprehensive arts education in public schools. An investigation of education for young people at BAM—from weekend programming for the children of Academy subscribers, to a fully staffed branch serving students throughout the tri-state area (often during the school day)—offers a porthole into the larger municipal history, particularly the history of public education, of New York City. The dissertation chronologically charts three education programs at BAM (the “Young Members Course,” which began in 1915; “Shakespeare Teaches” [1997-2018]; and “Arts and Justice” [2006-present]) in order to compare and contrast the evolving goals of the department. The project outlines the struggles that the department faced after BAM’s split from the Brooklyn Institute of Arts and Sciences (BIAS), the umbrella organization under which BAM existed until 1971. These challenges point to an enduringly complicated relationship between pleasure and instruction; they similarly raise questions related to young people and cultural stratification, particularly as BAM (under the leadership of Harvey Lichtenstein) became a bastion of highbrow, avant-garde culture.
"],"dc:identifier":["https://academicworks.cuny.edu/gc_etds/5262"],"dc:subject":["arts education","New York City public education","applied theatre","Brooklyn Academy of Music"],"dc:title":["“For ‘Their Own Good’”: Education, The Performing Arts, and Social Justice at the Brooklyn Academy of Music, 1915–2023"],"thesis:degree_discipline":["Theatre and Performance"],"thesis:degree_level":["Doctoral"],"thesis:degree_name":["Doctor of Philosophy"],"thesis:institution_name":["The Graduate School and University Center of The City University of New York"]},"updated_at":"2026-07-24T01:59:21Z"}