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The Graduate School and University Center of The City University of New York

The Singing Self: An Exploration of Vocality and Selfhood in Contemporary Vocal Practice

Abstract

dc:description.abstract

<p>Every vocal training technique relies on understandings of how a singer’s “voice,” both literal and metaphorical, participates in the act of interpreting the works of composers. Western classical singing, as codified by the early twentieth century, typically puts the singer in the role of the “medium” or “channel” for the composer. Later twentieth-century reactions promised liberation from the composer’s “voice” with a validation of the singer’s “authentic” or “natural” voice. This dissertation questions both sides of this binary and asks: what alternative models are possible? This work is in three parts. The first section provides an overview of pedagogical constructions of the singer’s “self” and “voice.” Next, an in-depth examination of singer and composer Cathy Berberian, whose collaborations with avant garde composers and use of expanded vocal techniques brought about new models for the relationships between composer and singer, singer and self. The final section of this work envisions new practices that draw upon the work of Berberian and others, seeking to offer contemporary singers tools for expanding artistic capacity and agency by exploring different understandings of the relationship between voice and self.</p>

Degree

thesis:*
Name thesis:degree_name
Doctor of Musical Arts
Level thesis:degree_level
Doctoral
Discipline thesis:degree_discipline
Music
Grantor
The Graduate School and University Center of The City University of New York
Year dc:date.available
2021

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Eagen, Emily C
Advisor dc:contributor.advisor
  • Norman Carey
Committee members dc:contributor.committeemember
  • Eliot Bates
  • Thomas Bogdan
  • Johanna Devaney

Subjects

dc:subject × 10

Identifiers

dc:identifier.*
Repository record dc:identifier
https://academicworks.cuny.edu/gc_etds/4212
OAI identifier oai:identifier
oai:academicworks.cuny.edu:gc_etds-5274

Chain of custody

source
Harvested from
City University of New York - Graduate Center
Base URL
academicworks.cuny.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Eagen, Emily C. The Singing Self: An Exploration of Vocality and Selfhood in Contemporary Vocal Practice. Doctoral thesis, The Graduate School and University Center of The City University of New York, 2021. https://academicworks.cuny.edu/gc_etds/4212