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The Graduate School and University Center of The City University of New York

The Incorporated Hornist: Instruments, Embodiment, and the Performance of Music

Abstract

dc:description.abstract

<p>Roland Barthes famously described the “grain” as “the body in the voice as it sings, the hand as it writes, the limb as it performs.” Stated simply, this project asks <em>What is the body in the horn as it sounds?</em> Instrumentality is typically understood as extension and expression beyond the boundaries of the body; brass instrument musicking, however, begins not where the sound emerges from the bell, but at the very least at the meeting point of the player’s breath, the surfaces of the body, and the tube of the instrument. This project of instrumental incorporation understands music as a place where bodies technological and corporeal, real and conjectural meet. Using perspectives from critical organology, embodiment, disability studies, voice studies, and performance-based approaches, I examine the technologies and techniques of bodies and instruments in four case studies in the hornist's repertoire: Beethoven’s <em>Eroica</em> Symphony; Brahms’s Trio for Piano, Violin, and Waldhorn; Messiaen’s “Appel interstellaire”; and Ligeti’s Trio. I propose that the sounding of this repertoire be understood as composing and re-composing intercorporeal encounters and articulations, weaving polyphonic connections between instrumental and bodily techniques and technologies, and revealing multiple and contingent voices at work when we make music.</p>

Degree

thesis:*
Name thesis:degree_name
Doctor of Philosophy
Level thesis:degree_level
Doctoral
Discipline thesis:degree_discipline
Music
Grantor
The Graduate School and University Center of The City University of New York
Year dc:date.available
2019

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Fleming, M. Elizabeth
Advisor dc:contributor.advisor
  • Emily Wilbourne
Committee members dc:contributor.committeemember
  • Scott Burnham
  • Emily I. Dolan
  • Joseph N. Straus

Subjects

dc:subject × 7

Identifiers

dc:identifier.*
Repository record dc:identifier
https://academicworks.cuny.edu/gc_etds/3460
OAI identifier oai:identifier
oai:academicworks.cuny.edu:gc_etds-4486

Chain of custody

source
Harvested from
City University of New York - Graduate Center
Base URL
academicworks.cuny.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Fleming, M. Elizabeth. The Incorporated Hornist: Instruments, Embodiment, and the Performance of Music. Doctoral thesis, The Graduate School and University Center of The City University of New York, 2019. https://academicworks.cuny.edu/gc_etds/3460