Adorno’s experience as an exile influenced his two works Dialectic of Enlightenment: Philosophical Fragments (1944) and Minima Moralia: Reflections from a Damaged Life (1951). These works embody the adversity Adorno wrestled with in his personal life and voice a quasi-indignant resignation to the notion of displacement as a natural yet mutilated human condition. I will analyze Dialectic of Enlightenment through the subjective, experiential lens of Minima Moralia thereby revealing the personal allusions to Adorno himself in his analysis of Odysseus as the prototypical bourgeois.
This thesis explores a biographical approach of the man who was known for his viscero-critical voice. I propose that the cultural diversity apparent in his bourgeois upbringing in post-Weimarian Germany, ironically, equipped him to confront his exile in America as a part of the Frankfurt Institute of Social Research. This study zeroes in on Adorno’s background, how it affected his language, and how this enabled him to cunningly navigate his exile.
","abstract_html":"<p>Adorno’s experience as an exile influenced his two works <em>Dialectic of Enlightenment: Philosophical Fragments </em>(1944)<em> </em>and <em>Minima Moralia: Reflections from a Damaged Life </em>(1951). These works embody the adversity Adorno wrestled with in his personal life and voice a quasi-indignant resignation to the notion of displacement as a natural yet mutilated human condition. I will analyze <em>Dialectic of Enlightenment </em>through the subjective, experiential lens of <em>Minima Moralia</em> thereby revealing the personal allusions to Adorno himself in his analysis of Odysseus as the prototypical bourgeois.</p> <p>This thesis explores a biographical approach of the man who was known for his viscero-critical voice. I propose that the cultural diversity apparent in his bourgeois upbringing in post-Weimarian Germany, ironically, equipped him to confront his exile in America as a part of the Frankfurt Institute of Social Research. This study zeroes in on Adorno’s background, how it affected his language, and how this enabled him to cunningly navigate his exile.</p>","abstract_has_math":false,"creators":["Baert, Ana"],"institution":"The Graduate School and University Center of The City University of New York","degree_name":"Master of Arts","degree_level":"Master","degree_discipline":"Liberal Studies","degree_department":null,"school":null,"contributors":[],"advisors":["Martin Elsky"],"committee_chairs":[],"committee_members":[],"year":2019,"date_issued":"2019-05-01T07:00:00Z","date_published":"2019-05-01T07:00:00Z","updated_at":"2026-07-24T01:58:31Z","subjects":["Arts and Humanities","Comparative Literature","Intellectual Biography","Language of the Exile","Frankfurt Institute","Minima Moralia","Dialectic of Enlightenment","Odyssey","Philosophical Fragments"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://academicworks.cuny.edu/gc_etds/3079","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Martin Elsky"]},{"key":"dc:creator","label":"Author","values":["Baert, Ana"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2019-02-27T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Liberal Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Master"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["The Graduate School and University Center of The City University of New York"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Arts and Humanities","Comparative Literature","Intellectual Biography","Language of the Exile","Frankfurt Institute","Minima Moralia","Dialectic of Enlightenment","Odyssey","Philosophical Fragments"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://academicworks.cuny.edu/gc_etds/3079"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Adorno’s experience as an exile influenced his two works Dialectic of Enlightenment: Philosophical Fragments (1944) and Minima Moralia: Reflections from a Damaged Life (1951). These works embody the adversity Adorno wrestled with in his personal life and voice a quasi-indignant resignation to the notion of displacement as a natural yet mutilated human condition. I will analyze Dialectic of Enlightenment through the subjective, experiential lens of Minima Moralia thereby revealing the personal allusions to Adorno himself in his analysis of Odysseus as the prototypical bourgeois.
This thesis explores a biographical approach of the man who was known for his viscero-critical voice. I propose that the cultural diversity apparent in his bourgeois upbringing in post-Weimarian Germany, ironically, equipped him to confront his exile in America as a part of the Frankfurt Institute of Social Research. This study zeroes in on Adorno’s background, how it affected his language, and how this enabled him to cunningly navigate his exile.
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This thesis explores a biographical approach of the man who was known for his viscero-critical voice. I propose that the cultural diversity apparent in his bourgeois upbringing in post-Weimarian Germany, ironically, equipped him to confront his exile in America as a part of the Frankfurt Institute of Social Research. This study zeroes in on Adorno’s background, how it affected his language, and how this enabled him to cunningly navigate his exile.
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