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The Graduate School and University Center of The City University of New York

Writing the Visual in "Baroni: un viaje" and Other Recent Work by Sergio Chejfec

Abstract

dc:description.abstract

<p>This dissertation has three parts. First, I explore the ways in which word intersects with image in several recent texts by the contemporary Argentine writer Sergio Chejfec, whose oeuvre is replete with verbal descriptions of visual artifacts. Second, as a complement to the critical essay, I present my English translation of Chejfec's <em>Baroni: un viaje</em> (2007), a novel featuring the Venezuelan artist Rafaela Baroni, whose extraordinary wood carvings of Virgins, saints and other figures are described in key passages. Third, as a bridge between these two parts, I reflect on the related critical discourses of ekphrasis and translation and on the task of translating <em>Baroni: un viaje</em>.</p> <p>Chejfec's engagement with the visual as both an essayist and novelist has received little critical attention to date. In the first part of my study, I consider recent essays and blog postings in which he discusses the problematics of the word-image encounter, both in his own work and in that of others. I contend that Chejfec's privileging of the word and of the artifice of writing affirms W.J.T. Mitchell's concept of ekphrastic hope. By examining ekphrastic passages in <em>Baroni: un viaje</em>, I study the effects of the ekphrastic encounter in the novel and move beyond the notion that ekphrasis represents a spatial fix or halt in the narrative.</p> <p>In the second part, I offer my English translation of <em>Baroni: un viaje</em>. In the third part, I discuss the affinities between the critical discourses surrounding ekphrasis and translation. I conclude with a Translator's Note that posits that the cleft that splits one of Baroni's wooden carvings, described at the novel's outset, can be understood as a powerful trope for the gap separating word from image, and the original Spanish of the novel from my English translation. I argue that although translation implies rupture, one hopes for engagement with the other in the space such a translation opens.</p>

Degree

thesis:*
Name thesis:degree_name
Doctor of Philosophy
Level thesis:degree_level
Doctoral
Discipline thesis:degree_discipline
Hispanic & Luso-Brazilian Literatures & Languages
Grantor
The Graduate School and University Center of The City University of New York
Year dc:date.available
2013

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Carson, Margaret
Advisor dc:contributor.advisor
  • Magdalena Perkowska
Committee members dc:contributor.committeemember
  • Paul Julian Smith
  • Elena Martínez
  • Esther Allen

Subjects

dc:subject × 4

Identifiers

dc:identifier.*
Repository record dc:identifier
https://academicworks.cuny.edu/gc_etds/1941
OAI identifier oai:identifier
oai:academicworks.cuny.edu:gc_etds-2969

Chain of custody

source
Harvested from
City University of New York - Graduate Center
Base URL
academicworks.cuny.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Carson, Margaret. Writing the Visual in "Baroni: un viaje" and Other Recent Work by Sergio Chejfec. Doctoral thesis, The Graduate School and University Center of The City University of New York, 2013. https://academicworks.cuny.edu/gc_etds/1941