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The Graduate School and University Center of The City University of New York

Revolutions Off Off Broadway, 1959-1969: A Critical Study of Changes in Structure, Character, Language, and Theme in Experimental Drama in New York City

Abstract

dc:description.abstract

<p>The purpose of this dissertation is to analyze and categorize the approaches to structure, character, language, and theme that make the dramaturgy of certain playwrights writing for the Off Broadway theatre during the 1960s revolutionary in contrast to the dramaturgy of the majority of American playwrights of the 1950s. The playwrights under discussion include George Birimisa, Kenneth Bernard, Kenneth Brown, Rosalyn Drexler, Grant Duay, Tom Eyen, Maria Irene Fornes, Paul Foster, John Guare, A. R. Gurney, Jr., William M. Hoffman, Kenneth Koch, Charles Ludlam, Murray Mednick, Joel Oppenheimer, Rochelle Owens, Tom Sankey, Sam Shepard, David Starkweather, Ronald Tavel, Megan Terry, and Jean-Claude van Itallie.</p> <p>Chapter I of the dissertation analyzes American playwriting from 1951-1962, on Broadway and Off Broadway, in terms of structure, character, language, and theme. Chapters II-V analyze the writing of the avant-garde playwrights of the 1960s, as noted above, in terms of structure, character, language, and theme, with emphasis on the dramatic theories and trends which influenced them; the ways in which their approaches to dramaturgy contrast with or are similar to those of the previous decade; their particular dramaturgical approaches and styles. The Conclusion summarizes the ways in which these avant-garde playwrights differ from or are similar to their immediate predecessors. The Conclusion also contains an evaluation of the extent to which the avant-garde playwrights of the 1960s, as noted above, influenced or did not influence subsequent American playwriting, both mainstream and avant-garde.</p>

Degree

thesis:*
Name thesis:degree_name
Doctor of Philosophy
Level thesis:degree_level
Doctoral
Discipline thesis:degree_discipline
Theatre
Grantor
The Graduate School and University Center of The City University of New York
Year dc:date.available
1987

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Greene, Alexis
Advisor dc:contributor.advisor
  • Stanley Waren
Committee members dc:contributor.committeemember
  • Margaret Knapp
  • Daniel Gerould
  • Vera Mowry Roberts

Subjects

dc:subject × 1

Identifiers

dc:identifier.*
Repository record dc:identifier
https://academicworks.cuny.edu/gc_etds/1789
OAI identifier oai:identifier
oai:academicworks.cuny.edu:gc_etds-2817

Chain of custody

source
Harvested from
City University of New York - Graduate Center
Base URL
academicworks.cuny.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Greene, Alexis. Revolutions Off Off Broadway, 1959-1969: A Critical Study of Changes in Structure, Character, Language, and Theme in Experimental Drama in New York City. Doctoral thesis, The Graduate School and University Center of The City University of New York, 1987. https://academicworks.cuny.edu/gc_etds/1789