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The Graduate School and University Center of The City University of New York

The Inconstancy of Bodies: Yvonne Meier's Works, 1985 ' 2012

Abstract

dc:description.abstract

<p>What is ability? And conversely, what is disability? This research on the dancer and choreographer Yvonne Meier theorizes that her more than 30-year career has challenged the oft perceived polarities between function and dysfunction, utility and futility through the physical actions of dance performances. As she developed as a dancer and choreographer, Meier engaged in forms of movement training that pledged to expand her ability by unearthing the hidden causes and effects of actions. And yet, she created works which foregrounded the very gaps in knowledge between acts, their intentions, and effects. The fundamental disability expressed through Meier's works is the condition of having a body. Bodies determine the limits of perspective, barring the living from ever really seeing much of any act, or its ramifications. As embodiment itself disables humans from understanding the true scope of the reasons and consequences of actions, all further arguments can only tentatively define apart 'ability' and 'disability.' And so, this thesis explores the deeply incomplete nature of perspective as the fundamental disability explored in Meier's works, and primarily does so by examining her incomplete records, many of which were damaged in a flood caused by Hurricane Sandy. In it, what could be salvaged from Meier's personal archive of videos, written scores, and notes on pieces is cross-referenced with interviews the author conducted with Meier and her collaborators. A small quantity of published reviews, essays, and interviews have also been referenced. This research also draws, both directly and indirectly, from related works of theory that address the utility of action, embodiment, and artistic process. Researching Meier, like performing for her, is a process subjected to the disabled perspective of the body, which cannot take one back in time to witness all which here has been recorded from remnants and memories.</p>

Degree

thesis:*
Name thesis:degree_name
Master of Arts
Level thesis:degree_level
Master
Discipline thesis:degree_discipline
Liberal Studies
Grantor
The Graduate School and University Center of The City University of New York
Year dc:date.available
2015

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Drury, Lindsey Ann
Advisor dc:contributor.advisor
  • Tanya Pollard

Subjects

dc:subject × 3

Identifiers

dc:identifier.*
Repository record dc:identifier
https://academicworks.cuny.edu/gc_etds/910
OAI identifier oai:identifier
oai:academicworks.cuny.edu:gc_etds-1924

Chain of custody

source
Harvested from
City University of New York - Graduate Center
Base URL
academicworks.cuny.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Drury, Lindsey Ann. The Inconstancy of Bodies: Yvonne Meier's Works, 1985 ' 2012. Master thesis, The Graduate School and University Center of The City University of New York, 2015. https://academicworks.cuny.edu/gc_etds/910