{"id":{"repo_id":"cuny-grad","oai_identifier":"oai:academicworks.cuny.edu:gc_etds-1870"},"canonical_url":"https://search.dev.ndltd.org/etd/cuny-grad/oai:academicworks.cuny.edu:gc_etds-1870","repository":{"repo_id":"cuny-grad","name":"City University of New York - Graduate Center","base_url":"https://academicworks.cuny.edu/do/oai/"},"display":{"title":"Luti Masculinity in Iranian Modernity, 1785-1941: Marginalization and the Anxieties of Proper Masculine Comportment","abstract":"<p>This paper offers a genealogy of changing conceptualizations and performances of masculinity in 19<sup>th</sup> and early to mid-20<sup>th</sup> century Iran, and examines in particular a unique group of masculine subjects known as the <em>lutis</em>. The first component of the analysis traces the historical lineage of these <em>lutis</em>, situating their emergence out of Persian Sufi brotherhoods, bandit clans ('<em>ayyar</em>), and guild-like organizations (<em>futuwwa</em>) from the period of the 15<em>th</em> to the 19<em>th</em> century CE. This section provides an account of the most pertinent and distinguishing rites, attitudes, and practices of the <em>lutis</em>, most notably their involvement in the tradition of Iranian wrestling (<em>koshti pahlavani</em>) as performed in so-called Houses of Strength (<em>zurkhaneh</em>). In reflecting on their specific practices, this account reveals the deep imbrication of the <em>lutis</em> with a particular spiritual and martial mode of masculinity; expressed as the state of being <em>javanmard</em> or of having <em>javanmardi</em> (literally, \"youngmanliness\"). The second component of the analysis demonstrates how, from the late-19<sup>th</sup> century, the <em>javanmardi</em> embodiments, social enactments and sartorial comportments of the <em>lutis</em> came to stand in increasing tension with new norms of manliness (<em>mardanegi</em>) promoted in Iranian governmental and societal discourses of modernization. The section proceeds to show how an intensification of these discourses and their accompanying policies, particularly during the Iranian Constitutional Revolution (1905-1911), would signify the <em>lutis</em> as a menacing, counter-normative and anxiety-provoking antipode to the (attempted) formation of a unifying national Iranian masculine gender identity, a new conception of manhood defined by compulsory heterosexuality, monogamous marriage, 'rational' political roles and Westernizing sartorial presentations. The significatory processes of the Qajar (1785-1925) and first Pahlavi periods (1925-1941) would gradually produce a narrative of the <em>lutis</em> as deviant, chaotic, violent, and sexually ambiguous subjects, a distinctly non-normative measure of manhood in the Iranian political and cultural imaginary. Employing critical and queer theoretical approaches to the historical formation of gender and sexuality, this paper thus attempts to draw out the phenomenologically lived experience of the <em>lutis</em> as excluded masculine subjects while also situating the development of normative conceptions of manhood and masculinity into broader histories of the critical formation of modernity in Iran.</p>","abstract_html":"&lt;p&gt;This paper offers a genealogy of changing conceptualizations and performances of masculinity in 19&lt;sup&gt;th&lt;/sup&gt; and early to mid-20&lt;sup&gt;th&lt;/sup&gt; century Iran, and examines in particular a unique group of masculine subjects known as the &lt;em&gt;lutis&lt;/em&gt;. The first component of the analysis traces the historical lineage of these &lt;em&gt;lutis&lt;/em&gt;, situating their emergence out of Persian Sufi brotherhoods, bandit clans (&#x27;&lt;em&gt;ayyar&lt;/em&gt;), and guild-like organizations (&lt;em&gt;futuwwa&lt;/em&gt;) from the period of the 15&lt;em&gt;th&lt;/em&gt; to the 19&lt;em&gt;th&lt;/em&gt; century CE. This section provides an account of the most pertinent and distinguishing rites, attitudes, and practices of the &lt;em&gt;lutis&lt;/em&gt;, most notably their involvement in the tradition of Iranian wrestling (&lt;em&gt;koshti pahlavani&lt;/em&gt;) as performed in so-called Houses of Strength (&lt;em&gt;zurkhaneh&lt;/em&gt;). In reflecting on their specific practices, this account reveals the deep imbrication of the &lt;em&gt;lutis&lt;/em&gt; with a particular spiritual and martial mode of masculinity; expressed as the state of being &lt;em&gt;javanmard&lt;/em&gt; or of having &lt;em&gt;javanmardi&lt;/em&gt; (literally, &quot;youngmanliness&quot;). The second component of the analysis demonstrates how, from the late-19&lt;sup&gt;th&lt;/sup&gt; century, the &lt;em&gt;javanmardi&lt;/em&gt; embodiments, social enactments and sartorial comportments of the &lt;em&gt;lutis&lt;/em&gt; came to stand in increasing tension with new norms of manliness (&lt;em&gt;mardanegi&lt;/em&gt;) promoted in Iranian governmental and societal discourses of modernization. The section proceeds to show how an intensification of these discourses and their accompanying policies, particularly during the Iranian Constitutional Revolution (1905-1911), would signify the &lt;em&gt;lutis&lt;/em&gt; as a menacing, counter-normative and anxiety-provoking antipode to the (attempted) formation of a unifying national Iranian masculine gender identity, a new conception of manhood defined by compulsory heterosexuality, monogamous marriage, &#x27;rational&#x27; political roles and Westernizing sartorial presentations. The significatory processes of the Qajar (1785-1925) and first Pahlavi periods (1925-1941) would gradually produce a narrative of the &lt;em&gt;lutis&lt;/em&gt; as deviant, chaotic, violent, and sexually ambiguous subjects, a distinctly non-normative measure of manhood in the Iranian political and cultural imaginary. Employing critical and queer theoretical approaches to the historical formation of gender and sexuality, this paper thus attempts to draw out the phenomenologically lived experience of the &lt;em&gt;lutis&lt;/em&gt; as excluded masculine subjects while also situating the development of normative conceptions of manhood and masculinity into broader histories of the critical formation of modernity in Iran.&lt;/p&gt;","abstract_has_math":false,"creators":["Bell, Robert Joseph"],"institution":"The Graduate School and University Center of The City University of New York","degree_name":"Master of Arts","degree_level":"Master","degree_discipline":"Middle Eastern Studies","degree_department":null,"school":null,"contributors":[],"advisors":["Samira Haj"],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-05-27T07:00:00Z","date_published":"2015-05-27T07:00:00Z","updated_at":"2026-07-24T02:00:04Z","subjects":["History","Futuwwa; Gender and Sexuality Studies; Iranian History; Javanmardi; Masculinity Studies; Middle East History"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://academicworks.cuny.edu/gc_etds/856","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Samira Haj"]},{"key":"dc:creator","label":"Author","values":["Bell, Robert Joseph"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2017-05-27T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Middle Eastern Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Master"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["The Graduate School and University Center of The City University of New York"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["History","Futuwwa; Gender and Sexuality Studies; Iranian History; Javanmardi; Masculinity Studies; Middle East History"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://academicworks.cuny.edu/gc_etds/856"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>This paper offers a genealogy of changing conceptualizations and performances of masculinity in 19<sup>th</sup> and early to mid-20<sup>th</sup> century Iran, and examines in particular a unique group of masculine subjects known as the <em>lutis</em>. The first component of the analysis traces the historical lineage of these <em>lutis</em>, situating their emergence out of Persian Sufi brotherhoods, bandit clans ('<em>ayyar</em>), and guild-like organizations (<em>futuwwa</em>) from the period of the 15<em>th</em> to the 19<em>th</em> century CE. This section provides an account of the most pertinent and distinguishing rites, attitudes, and practices of the <em>lutis</em>, most notably their involvement in the tradition of Iranian wrestling (<em>koshti pahlavani</em>) as performed in so-called Houses of Strength (<em>zurkhaneh</em>). In reflecting on their specific practices, this account reveals the deep imbrication of the <em>lutis</em> with a particular spiritual and martial mode of masculinity; expressed as the state of being <em>javanmard</em> or of having <em>javanmardi</em> (literally, \"youngmanliness\"). The second component of the analysis demonstrates how, from the late-19<sup>th</sup> century, the <em>javanmardi</em> embodiments, social enactments and sartorial comportments of the <em>lutis</em> came to stand in increasing tension with new norms of manliness (<em>mardanegi</em>) promoted in Iranian governmental and societal discourses of modernization. The section proceeds to show how an intensification of these discourses and their accompanying policies, particularly during the Iranian Constitutional Revolution (1905-1911), would signify the <em>lutis</em> as a menacing, counter-normative and anxiety-provoking antipode to the (attempted) formation of a unifying national Iranian masculine gender identity, a new conception of manhood defined by compulsory heterosexuality, monogamous marriage, 'rational' political roles and Westernizing sartorial presentations. The significatory processes of the Qajar (1785-1925) and first Pahlavi periods (1925-1941) would gradually produce a narrative of the <em>lutis</em> as deviant, chaotic, violent, and sexually ambiguous subjects, a distinctly non-normative measure of manhood in the Iranian political and cultural imaginary. Employing critical and queer theoretical approaches to the historical formation of gender and sexuality, this paper thus attempts to draw out the phenomenologically lived experience of the <em>lutis</em> as excluded masculine subjects while also situating the development of normative conceptions of manhood and masculinity into broader histories of the critical formation of modernity in Iran.</p>"]},{"key":"dc:title","label":"Title","values":["Luti Masculinity in Iranian Modernity, 1785-1941: Marginalization and the Anxieties of Proper Masculine Comportment"]}]}],"canonical_facts":{"dc:contributor.advisor":["Samira Haj"],"dc:creator":["Bell, Robert Joseph"],"dc:date.available":["2017-05-27T07:00:00Z"],"dc:description.abstract":["<p>This paper offers a genealogy of changing conceptualizations and performances of masculinity in 19<sup>th</sup> and early to mid-20<sup>th</sup> century Iran, and examines in particular a unique group of masculine subjects known as the <em>lutis</em>. The first component of the analysis traces the historical lineage of these <em>lutis</em>, situating their emergence out of Persian Sufi brotherhoods, bandit clans ('<em>ayyar</em>), and guild-like organizations (<em>futuwwa</em>) from the period of the 15<em>th</em> to the 19<em>th</em> century CE. This section provides an account of the most pertinent and distinguishing rites, attitudes, and practices of the <em>lutis</em>, most notably their involvement in the tradition of Iranian wrestling (<em>koshti pahlavani</em>) as performed in so-called Houses of Strength (<em>zurkhaneh</em>). In reflecting on their specific practices, this account reveals the deep imbrication of the <em>lutis</em> with a particular spiritual and martial mode of masculinity; expressed as the state of being <em>javanmard</em> or of having <em>javanmardi</em> (literally, \"youngmanliness\"). The second component of the analysis demonstrates how, from the late-19<sup>th</sup> century, the <em>javanmardi</em> embodiments, social enactments and sartorial comportments of the <em>lutis</em> came to stand in increasing tension with new norms of manliness (<em>mardanegi</em>) promoted in Iranian governmental and societal discourses of modernization. The section proceeds to show how an intensification of these discourses and their accompanying policies, particularly during the Iranian Constitutional Revolution (1905-1911), would signify the <em>lutis</em> as a menacing, counter-normative and anxiety-provoking antipode to the (attempted) formation of a unifying national Iranian masculine gender identity, a new conception of manhood defined by compulsory heterosexuality, monogamous marriage, 'rational' political roles and Westernizing sartorial presentations. The significatory processes of the Qajar (1785-1925) and first Pahlavi periods (1925-1941) would gradually produce a narrative of the <em>lutis</em> as deviant, chaotic, violent, and sexually ambiguous subjects, a distinctly non-normative measure of manhood in the Iranian political and cultural imaginary. Employing critical and queer theoretical approaches to the historical formation of gender and sexuality, this paper thus attempts to draw out the phenomenologically lived experience of the <em>lutis</em> as excluded masculine subjects while also situating the development of normative conceptions of manhood and masculinity into broader histories of the critical formation of modernity in Iran.</p>"],"dc:identifier":["https://academicworks.cuny.edu/gc_etds/856"],"dc:subject":["History","Futuwwa; Gender and Sexuality Studies; Iranian History; Javanmardi; Masculinity Studies; Middle East History"],"dc:title":["Luti Masculinity in Iranian Modernity, 1785-1941: Marginalization and the Anxieties of Proper Masculine Comportment"],"thesis:degree_discipline":["Middle Eastern Studies"],"thesis:degree_level":["Master"],"thesis:degree_name":["Master of Arts"],"thesis:institution_name":["The Graduate School and University Center of The City University of New York"]},"updated_at":"2026-07-24T02:00:04Z"}