{"id":{"repo_id":"creighton","oai_identifier":"oai:cdr.creighton.edu:10504/91863"},"canonical_url":"https://search.dev.ndltd.org/etd/creighton/oai:cdr.creighton.edu:10504/91863","repository":{"repo_id":"creighton","name":"Creighton University","base_url":"https://cdr.creighton.edu/server/oai/request"},"display":{"title":"Realism in the Medieval Mystery Plays","abstract":"An intensive study and analysis of some of the medieval mystery plays—remnants of the York, Townley, Coventry, and Chester Cycles—will inevitably show that realism was very prevalent in the literature of the fourteenth century. Of course Langland's Piers Plowman and Chaucer's Canterbury Tales are even better evidences of this fact, but somehow the spirit of any age is nowhere in literature as vividly and correctly depicted and reflected as in its plays. To account for this dominant realistic literary tendency, perhaps a brief survey of the political and social background, followed by a short antecedent history of the English drama might here be, both appropriate and enlightening.","abstract_html":"An intensive study and analysis of some of the medieval mystery plays—remnants of the York, Townley, Coventry, and Chester Cycles—will inevitably show that realism was very prevalent in the literature of the fourteenth century. Of course Langland's Piers Plowman and Chaucer's Canterbury Tales are even better evidences of this fact, but somehow the spirit of any age is nowhere in literature as vividly and correctly depicted and reflected as in its plays. To account for this dominant realistic literary tendency, perhaps a brief survey of the political and social background, followed by a short antecedent history of the English drama might here be, both appropriate and enlightening.","abstract_has_math":false,"creators":["Barta de, Mary Antoinette N.D."],"institution":"Creighton University","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Fore, Harry F."],"committee_chairs":[],"committee_members":[],"year":1933,"date_issued":"1933","date_published":"1933","updated_at":"2026-07-24T01:52:13Z","subjects":[],"languages":["en_US"],"rights":["A non-exclusive distribution right is granted to Creighton University and to ProQuest following the publishing model selected above."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10504/91863","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Fore, Harry F."]},{"key":"dc:creator","label":"Author","values":["Barta de, Mary Antoinette N.D."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2016-09-27T18:14:31Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2016-09-27T18:14:31Z"]},{"key":"dc:date.issued","label":"Date","values":["1933"]},{"key":"dc:publisher","label":"Institution","values":["Creighton University"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_US"]},{"key":"dc:rights","label":"Dc Rights","values":["A non-exclusive distribution right is granted to Creighton University and to ProQuest following the publishing model selected above."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/10504/91863"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["An intensive study and analysis of some of the medieval mystery plays—remnants of the York, Townley, Coventry, and Chester Cycles—will inevitably show that realism was very prevalent in the literature of the fourteenth century. Of course Langland's Piers Plowman and Chaucer's Canterbury Tales are even better evidences of this fact, but somehow the spirit of any age is nowhere in literature as vividly and correctly depicted and reflected as in its plays. To account for this dominant realistic literary tendency, perhaps a brief survey of the political and social background, followed by a short antecedent history of the English drama might here be, both appropriate and enlightening."]},{"key":"dc:title","label":"Title","values":["Realism in the Medieval Mystery Plays"]}]}],"canonical_facts":{"dc:contributor.advisor":["Fore, Harry F."],"dc:creator":["Barta de, Mary Antoinette N.D."],"dc:date.accessioned":["2016-09-27T18:14:31Z"],"dc:date.available":["2016-09-27T18:14:31Z"],"dc:date.issued":["1933"],"dc:description.abstract":["An intensive study and analysis of some of the medieval mystery plays—remnants of the York, Townley, Coventry, and Chester Cycles—will inevitably show that realism was very prevalent in the literature of the fourteenth century. Of course Langland's Piers Plowman and Chaucer's Canterbury Tales are even better evidences of this fact, but somehow the spirit of any age is nowhere in literature as vividly and correctly depicted and reflected as in its plays. To account for this dominant realistic literary tendency, perhaps a brief survey of the political and social background, followed by a short antecedent history of the English drama might here be, both appropriate and enlightening."],"dc:identifier.uri":["http://hdl.handle.net/10504/91863"],"dc:language.iso":["en_US"],"dc:publisher":["Creighton University"],"dc:rights":["A non-exclusive distribution right is granted to Creighton University and to ProQuest following the publishing model selected above."],"dc:title":["Realism in the Medieval Mystery Plays"],"dc:type":["Thesis"]},"updated_at":"2026-07-24T01:52:13Z"}