{"id":{"repo_id":"creighton","oai_identifier":"oai:cdr.creighton.edu:10504/91581"},"canonical_url":"https://search.dev.ndltd.org/etd/creighton/oai:cdr.creighton.edu:10504/91581","repository":{"repo_id":"creighton","name":"Creighton University","base_url":"https://cdr.creighton.edu/server/oai/request"},"display":{"title":"Francesca Da Rimini on the Stage or a Study of the Paolo and Francesca Theme as Treated by George Henry Baker, Stephen Phillips, and Gabriele d'Annunzio.","abstract":"It is the purpose of this thesis to look into the history and tradition of the Francesca tragedy, and to note the effect of each on Baker, Phillips, and d‘Annunzio; to discuss the approach of the authors to their theme and their manner of handling it; and to discover by what means and by what tools their stage success was due. It is also my intention to compare the poetic efforts of the dramatists with a view to placing them in a scale of values; to study the likenesses and dissimilarities between th^ outstanding four corresponding characters of each author; and, finally, to attempt some fair estimate of the value of their plays to the world.|Obviously, there is no desire to exhaust the theme, even relative to the American, British, and Italian playwrights. If the high points, listed in the paragraph above, are reached, I snail feel that I have partially succeeded.","abstract_html":"It is the purpose of this thesis to look into the history and tradition of the Francesca tragedy, and to note the effect of each on Baker, Phillips, and d‘Annunzio; to discuss the approach of the authors to their theme and their manner of handling it; and to discover by what means and by what tools their stage success was due. It is also my intention to compare the poetic efforts of the dramatists with a view to placing them in a scale of values; to study the likenesses and dissimilarities between th^ outstanding four corresponding characters of each author; and, finally, to attempt some fair estimate of the value of their plays to the world.|Obviously, there is no desire to exhaust the theme, even relative to the American, British, and Italian playwrights. If the high points, listed in the paragraph above, are reached, I snail feel that I have partially succeeded.","abstract_has_math":false,"creators":["Gee, Garth Gilbert"],"institution":"Creighton University","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Fore, Harry F."],"committee_chairs":[],"committee_members":[],"year":1932,"date_issued":"1932","date_published":"1932","updated_at":"2026-07-24T01:50:35Z","subjects":[],"languages":["en_US"],"rights":["A non-exclusive distribution right is granted to Creighton University and to ProQuest following the publishing model selected above."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10504/91581","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Fore, Harry F."]},{"key":"dc:creator","label":"Author","values":["Gee, Garth Gilbert"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2016-08-29T19:13:06Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2016-08-29T19:13:06Z"]},{"key":"dc:date.issued","label":"Date","values":["1932"]},{"key":"dc:publisher","label":"Institution","values":["Creighton University"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_US"]},{"key":"dc:rights","label":"Dc Rights","values":["A non-exclusive distribution right is granted to Creighton University and to ProQuest following the publishing model selected above."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/10504/91581"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["It is the purpose of this thesis to look into the history and tradition of the Francesca tragedy, and to note the effect of each on Baker, Phillips, and d‘Annunzio; to discuss the approach of the authors to their theme and their manner of handling it; and to discover by what means and by what tools their stage success was due. It is also my intention to compare the poetic efforts of the dramatists with a view to placing them in a scale of values; to study the likenesses and dissimilarities between th^ outstanding four corresponding characters of each author; and, finally, to attempt some fair estimate of the value of their plays to the world.|Obviously, there is no desire to exhaust the theme, even relative to the American, British, and Italian playwrights. If the high points, listed in the paragraph above, are reached, I snail feel that I have partially succeeded."]},{"key":"dc:title","label":"Title","values":["Francesca Da Rimini on the Stage or a Study of the Paolo and Francesca Theme as Treated by George Henry Baker, Stephen Phillips, and Gabriele d'Annunzio."]}]}],"canonical_facts":{"dc:contributor.advisor":["Fore, Harry F."],"dc:creator":["Gee, Garth Gilbert"],"dc:date.accessioned":["2016-08-29T19:13:06Z"],"dc:date.available":["2016-08-29T19:13:06Z"],"dc:date.issued":["1932"],"dc:description.abstract":["It is the purpose of this thesis to look into the history and tradition of the Francesca tragedy, and to note the effect of each on Baker, Phillips, and d‘Annunzio; to discuss the approach of the authors to their theme and their manner of handling it; and to discover by what means and by what tools their stage success was due. It is also my intention to compare the poetic efforts of the dramatists with a view to placing them in a scale of values; to study the likenesses and dissimilarities between th^ outstanding four corresponding characters of each author; and, finally, to attempt some fair estimate of the value of their plays to the world.|Obviously, there is no desire to exhaust the theme, even relative to the American, British, and Italian playwrights. If the high points, listed in the paragraph above, are reached, I snail feel that I have partially succeeded."],"dc:identifier.uri":["http://hdl.handle.net/10504/91581"],"dc:language.iso":["en_US"],"dc:publisher":["Creighton University"],"dc:rights":["A non-exclusive distribution right is granted to Creighton University and to ProQuest following the publishing model selected above."],"dc:title":["Francesca Da Rimini on the Stage or a Study of the Paolo and Francesca Theme as Treated by George Henry Baker, Stephen Phillips, and Gabriele d'Annunzio."],"dc:type":["Thesis"]},"updated_at":"2026-07-24T01:50:35Z"}