{"id":{"repo_id":"creighton","oai_identifier":"oai:cdr.creighton.edu:10504/101931"},"canonical_url":"https://search.dev.ndltd.org/etd/creighton/oai:cdr.creighton.edu:10504/101931","repository":{"repo_id":"creighton","name":"Creighton University","base_url":"https://cdr.creighton.edu/server/oai/request"},"display":{"title":"The Lyrical Strain in Shakespeare's Early Dramas","abstract":"The lyrical strain in Shakespeare's early drama is \"brought out \"by Chambers in his statement that |\"With Romeo and Juliet and A Midsummer Night's Dream, it (Richard the Second) belongs to the period of a deliberate literary experiment. For the space of a tragedy, a comedy, and a history, Shakespeare essayed to write drama in the lyrical vein, with his singing robe a on, with an abundance of passionate and highly coloured speech, and with the aid of rhyme and other devices of lyrical utterance.\" |Chambers expresses the opinion that Richard the Second is unlike the history play, Henry the Sixth; A Midsummer Nights Dream is different from that of As You Like It; and Romeo and Juliet is quite dissimilar to that of Hamlet or Macbeth, in that Richard the Second, A Midsummer Night's Dream, and Romeo and Juliet are treated of in light, airy, lyrical passages.","abstract_html":"The lyrical strain in Shakespeare's early drama is "brought out "by Chambers in his statement that |"With Romeo and Juliet and A Midsummer Night's Dream, it (Richard the Second) belongs to the period of a deliberate literary experiment. For the space of a tragedy, a comedy, and a history, Shakespeare essayed to write drama in the lyrical vein, with his singing robe a on, with an abundance of passionate and highly coloured speech, and with the aid of rhyme and other devices of lyrical utterance." |Chambers expresses the opinion that Richard the Second is unlike the history play, Henry the Sixth; A Midsummer Nights Dream is different from that of As You Like It; and Romeo and Juliet is quite dissimilar to that of Hamlet or Macbeth, in that Richard the Second, A Midsummer Night's Dream, and Romeo and Juliet are treated of in light, airy, lyrical passages.","abstract_has_math":false,"creators":["Welch, M. James C.S.J."],"institution":"Creighton University","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Smith, Paul F. S.J."],"committee_chairs":[],"committee_members":[],"year":1950,"date_issued":"1950","date_published":"1950","updated_at":"2026-07-24T01:49:51Z","subjects":["Shakespeare"],"languages":["en_US"],"rights":["A non-exclusive distribution right is granted to Creighton University and to ProQuest following the publishing model selected above."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10504/101931","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Smith, Paul F. S.J."]},{"key":"dc:creator","label":"Author","values":["Welch, M. 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For the space of a tragedy, a comedy, and a history, Shakespeare essayed to write drama in the lyrical vein, with his singing robe a on, with an abundance of passionate and highly coloured speech, and with the aid of rhyme and other devices of lyrical utterance.\" |Chambers expresses the opinion that Richard the Second is unlike the history play, Henry the Sixth; A Midsummer Nights Dream is different from that of As You Like It; and Romeo and Juliet is quite dissimilar to that of Hamlet or Macbeth, in that Richard the Second, A Midsummer Night's Dream, and Romeo and Juliet are treated of in light, airy, lyrical passages."]},{"key":"dc:title","label":"Title","values":["The Lyrical Strain in Shakespeare's Early Dramas"]}]}],"canonical_facts":{"dc:contributor.advisor":["Smith, Paul F. S.J."],"dc:creator":["Welch, M. James C.S.J."],"dc:date.accessioned":["2016-11-22T16:26:31Z"],"dc:date.available":["2016-11-22T16:26:31Z"],"dc:date.issued":["1950"],"dc:description.abstract":["The lyrical strain in Shakespeare's early drama is \"brought out \"by Chambers in his statement that |\"With Romeo and Juliet and A Midsummer Night's Dream, it (Richard the Second) belongs to the period of a deliberate literary experiment. For the space of a tragedy, a comedy, and a history, Shakespeare essayed to write drama in the lyrical vein, with his singing robe a on, with an abundance of passionate and highly coloured speech, and with the aid of rhyme and other devices of lyrical utterance.\" |Chambers expresses the opinion that Richard the Second is unlike the history play, Henry the Sixth; A Midsummer Nights Dream is different from that of As You Like It; and Romeo and Juliet is quite dissimilar to that of Hamlet or Macbeth, in that Richard the Second, A Midsummer Night's Dream, and Romeo and Juliet are treated of in light, airy, lyrical passages."],"dc:identifier.uri":["http://hdl.handle.net/10504/101931"],"dc:language.iso":["en_US"],"dc:publisher":["Creighton University"],"dc:rights":["A non-exclusive distribution right is granted to Creighton University and to ProQuest following the publishing model selected above."],"dc:subject":["Shakespeare"],"dc:title":["The Lyrical Strain in Shakespeare's Early Dramas"],"dc:type":["Thesis"]},"updated_at":"2026-07-24T01:49:51Z"}