{"id":{"repo_id":"cornell","oai_identifier":"oai:ecommons.cornell.edu:1813/120735"},"canonical_url":"https://search.dev.ndltd.org/etd/cornell/oai:ecommons.cornell.edu:1813/120735","repository":{"repo_id":"cornell","name":"Cornell University","base_url":"https://ecommons.cornell.edu/server/oai/request"},"display":{"title":"VOCALOID NATIONALISM: VOCALOID, IDENTITY, AND NATIONALISM IN CHINA AND JAPAN","abstract":"In this paper, the argument will be developed around the relationality between Vocaloid and identity, and Vocaloidand nationalism. Borrowing the core concept of Petit Nationalism (Puchi Nashonarizumu) termed by Japanese Psychiatrist Kayama Rika, I will argue that Vocaloid characters and its derivative products are under the framework of Petit Nationalism. Such Petit Nationalism in Vocaloid scene, which i will be calling the Vocaloid Nationalism, is common in the scene and has complicated and significant impact on the understanding of what is virtual and real, foreign and domestic, cultural and traditional, and nationalism in a contemporary context, with a focus on contemporary Japan and China.","abstract_html":"In this paper, the argument will be developed around the relationality between Vocaloid and identity, and Vocaloidand nationalism. Borrowing the core concept of Petit Nationalism (Puchi Nashonarizumu) termed by Japanese Psychiatrist Kayama Rika, I will argue that Vocaloid characters and its derivative products are under the framework of Petit Nationalism. Such Petit Nationalism in Vocaloid scene, which i will be calling the Vocaloid Nationalism, is common in the scene and has complicated and significant impact on the understanding of what is virtual and real, foreign and domestic, cultural and traditional, and nationalism in a contemporary context, with a focus on contemporary Japan and China.","abstract_has_math":false,"creators":["Chen, Yujia"],"institution":"Cornell University","degree_name":"M.A., Asian Studies","degree_level":"Master of Arts","degree_discipline":"Asian Studies","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":["Admussen, Nicholas"],"year":2025,"date_issued":"2025-08","date_published":"2025-08","updated_at":"2026-07-24T01:49:04Z","subjects":["China","Identity","Japan","Nationalism","Vocaloid"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.doi","label":"DOI","values":["https://doi.org/10.7298/qaaf-ft43"],"render_values":[{"text":"https://doi.org/10.7298/qaaf-ft43","href":"https://doi.org/10.7298/qaaf-ft43","code":true}]},{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["ProQuest Submission ID: 12520","ProQuest Publication ID: 32168501"],"render_values":[{"text":"ProQuest Submission ID: 12520","href":null,"code":true},{"text":"ProQuest Publication ID: 32168501","href":null,"code":true}]}]},"links":{"outbound_url":"https://hdl.handle.net/1813/120735","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Admussen, Nicholas"]},{"key":"dc:creator","label":"Author","values":["Chen, Yujia"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2026-04-02T18:34:50Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2026-04-02T18:34:50Z"]},{"key":"dc:date.issued","label":"Date","values":["2025-08"]},{"key":"dc:type","label":"Dc Type","values":["dissertation or thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Asian Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Master of Arts"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A., Asian Studies"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Cornell University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["China","Identity","Japan","Nationalism","Vocaloid"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.doi","label":"DOI","values":["https://doi.org/10.7298/qaaf-ft43"]},{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["ProQuest Submission ID: 12520","ProQuest Publication ID: 32168501"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/1813/120735"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["55 pages"]},{"key":"dc:description.abstract","label":"Abstract","values":["In this paper, the argument will be developed around the relationality between Vocaloid and identity, and Vocaloidand nationalism. Borrowing the core concept of Petit Nationalism (Puchi Nashonarizumu) termed by Japanese Psychiatrist Kayama Rika, I will argue that Vocaloid characters and its derivative products are under the framework of Petit Nationalism. Such Petit Nationalism in Vocaloid scene, which i will be calling the Vocaloid Nationalism, is common in the scene and has complicated and significant impact on the understanding of what is virtual and real, foreign and domestic, cultural and traditional, and nationalism in a contemporary context, with a focus on contemporary Japan and China."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["VOCALOID NATIONALISM: VOCALOID, IDENTITY, AND NATIONALISM IN CHINA AND JAPAN"]}]}],"canonical_facts":{"dc:contributor.committeemember":["Admussen, Nicholas"],"dc:creator":["Chen, Yujia"],"dc:date.accessioned":["2026-04-02T18:34:50Z"],"dc:date.available":["2026-04-02T18:34:50Z"],"dc:date.issued":["2025-08"],"dc:description":["55 pages"],"dc:description.abstract":["In this paper, the argument will be developed around the relationality between Vocaloid and identity, and Vocaloidand nationalism. Borrowing the core concept of Petit Nationalism (Puchi Nashonarizumu) termed by Japanese Psychiatrist Kayama Rika, I will argue that Vocaloid characters and its derivative products are under the framework of Petit Nationalism. Such Petit Nationalism in Vocaloid scene, which i will be calling the Vocaloid Nationalism, is common in the scene and has complicated and significant impact on the understanding of what is virtual and real, foreign and domestic, cultural and traditional, and nationalism in a contemporary context, with a focus on contemporary Japan and China."],"dc:format.mimetype":["application/pdf"],"dc:identifier.doi":["https://doi.org/10.7298/qaaf-ft43"],"dc:identifier.other":["ProQuest Submission ID: 12520","ProQuest Publication ID: 32168501"],"dc:identifier.uri":["https://hdl.handle.net/1813/120735"],"dc:language.iso":["en"],"dc:subject":["China","Identity","Japan","Nationalism","Vocaloid"],"dc:title":["VOCALOID NATIONALISM: VOCALOID, IDENTITY, AND NATIONALISM IN CHINA AND JAPAN"],"dc:type":["dissertation or thesis"],"thesis:degree_discipline":["Asian Studies"],"thesis:degree_level":["Master of Arts"],"thesis:degree_name":["M.A., Asian Studies"],"thesis:institution_name":["Cornell University"]},"updated_at":"2026-07-24T01:49:04Z"}