{"id":{"repo_id":"cork","oai_identifier":"oai:cora.ucc.ie:10468/7021"},"canonical_url":"https://search.dev.ndltd.org/etd/cork/oai:cora.ucc.ie:10468/7021","repository":{"repo_id":"cork","name":"University College Cork","base_url":"https://cora.ucc.ie/server/oai/request"},"display":{"title":"Beyond the tune: new Irish music","abstract":"The Irish musician is in an interesting position in relation to other post-colonial world cultures. As a colonised nation we have much in common with other colonised or formerly colonised peoples but we are also a first world country firmly ensconced as part of the “Western World”. As an Irish traditional musician first and foremost, I often feel a close affinity, both musically and politically, with other traditional musics from around the world, but I have also had a long relationship with Western Art Music. While I haven’t always felt “at home” socially with classical music, I have ended up composing music which draws to a great extent on my classical music education along with elements of Irish traditional music and other traditional musics. This synthesis of elements is at the crux of the music that I compose and it is this aspect that I intend to explore most in this thesis. I am going to begin with an auto-ethnographic discussion of my background as a musician and the various strands that have come to have importance for me as a composer. This will be followed by a look at the idea of cross-cultural composition and its particular influences on my own work. The final section of the dissertation is a series of commentaries on eight of my compositions, discussing how they relate to this paradigm.","abstract_html":"The Irish musician is in an interesting position in relation to other post-colonial world cultures. As a colonised nation we have much in common with other colonised or formerly colonised peoples but we are also a first world country firmly ensconced as part of the “Western World”. As an Irish traditional musician first and foremost, I often feel a close affinity, both musically and politically, with other traditional musics from around the world, but I have also had a long relationship with Western Art Music. While I haven’t always felt “at home” socially with classical music, I have ended up composing music which draws to a great extent on my classical music education along with elements of Irish traditional music and other traditional musics. This synthesis of elements is at the crux of the music that I compose and it is this aspect that I intend to explore most in this thesis. I am going to begin with an auto-ethnographic discussion of my background as a musician and the various strands that have come to have importance for me as a composer. This will be followed by a look at the idea of cross-cultural composition and its particular influences on my own work. The final section of the dissertation is a series of commentaries on eight of my compositions, discussing how they relate to this paradigm.","abstract_has_math":false,"creators":["Vallely, Niall"],"institution":"University College Cork","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Godfrey, John"],"committee_chairs":[],"committee_members":[],"year":2018,"date_issued":"2018","date_published":"2018","updated_at":"2026-07-24T01:47:31Z","subjects":["Music composition","Irish traditional music","Cross-cultural music"],"languages":["en"],"rights":["© 2018, Niall Vallely."],"rights_urls":["http://creativecommons.org/licenses/by-nc-nd/3.0/"],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10468/7021","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Godfrey, John"]},{"key":"dc:creator","label":"Author","values":["Vallely, Niall"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2018-10-19T10:20:26Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2018-10-19T10:20:26Z"]},{"key":"dc:date.issued","label":"Date","values":["2018"]},{"key":"dc:publisher","label":"Institution","values":["University College Cork"]},{"key":"dc:type","label":"Dc Type","values":["Doctoral thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Doctoral"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["PhD"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music composition","Irish traditional music","Cross-cultural music"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["© 2018, Niall Vallely."]},{"key":"dc:rights.uri","label":"Rights URI","values":["http://creativecommons.org/licenses/by-nc-nd/3.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10468/7021"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The Irish musician is in an interesting position in relation to other post-colonial world cultures. 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This will be followed by a look at the idea of cross-cultural composition and its particular influences on my own work. The final section of the dissertation is a series of commentaries on eight of my compositions, discussing how they relate to this paradigm."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Beyond the tune: new Irish music"]}]}],"canonical_facts":{"dc:contributor.advisor":["Godfrey, John"],"dc:creator":["Vallely, Niall"],"dc:date.accessioned":["2018-10-19T10:20:26Z"],"dc:date.available":["2018-10-19T10:20:26Z"],"dc:date.issued":["2018"],"dc:description.abstract":["The Irish musician is in an interesting position in relation to other post-colonial world cultures. As a colonised nation we have much in common with other colonised or formerly colonised peoples but we are also a first world country firmly ensconced as part of the “Western World”. As an Irish traditional musician first and foremost, I often feel a close affinity, both musically and politically, with other traditional musics from around the world, but I have also had a long relationship with Western Art Music. While I haven’t always felt “at home” socially with classical music, I have ended up composing music which draws to a great extent on my classical music education along with elements of Irish traditional music and other traditional musics. This synthesis of elements is at the crux of the music that I compose and it is this aspect that I intend to explore most in this thesis. I am going to begin with an auto-ethnographic discussion of my background as a musician and the various strands that have come to have importance for me as a composer. This will be followed by a look at the idea of cross-cultural composition and its particular influences on my own work. The final section of the dissertation is a series of commentaries on eight of my compositions, discussing how they relate to this paradigm."],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["https://hdl.handle.net/10468/7021"],"dc:language.iso":["en"],"dc:publisher":["University College Cork"],"dc:rights":["© 2018, Niall Vallely."],"dc:rights.uri":["http://creativecommons.org/licenses/by-nc-nd/3.0/"],"dc:subject":["Music composition","Irish traditional music","Cross-cultural music"],"dc:title":["Beyond the tune: new Irish music"],"dc:type":["Doctoral thesis"],"dc:type.qualificationlevel":["Doctoral"],"dc:type.qualificationname":["PhD"]},"updated_at":"2026-07-24T01:47:31Z"}