Elizabeth Bowen and the art of visuality

This thesis is the first sustained assessment of Elizabeth Bowen’s writing from a visual perspective. By first compiling a visual biography of the author, I argue that Bowen’s responsiveness to art, her relationships with artists, and her knowledge of modern and traditional aesthetics are formative influences on her work. Investigating her assertion that she was a “visual writer,” my discussion develops into an examination of her technique of “verbal painting” through which she reinvents traditional visual modes as a personal modernist idiom. Close textual analysis of Bowen’s fictions forms the dominant methodology of this thesis and facilitates my delineation of her engagement with the Futurist and Surrealist aesthetics in addition to broader aspects of her visuality, including her treatment of the “vividly visual” dream-state to the distinct ocularcentricity of her writing. Ultimately, this thesis seeks to advance our knowledge of Bowen’s visual method and to offer a new approach in which to nuance our understanding of her modernism

Grantor dc:publisher

University College Cork

Year dc:date.issued

2016

Author dc:creator

• Waldron, Michael John

Advisor dc:contributor.advisor

• Walshe, Eibhear

• Elizabeth Bowen
• Anglo-Irish literature
• Futurism
• Visuality
• Visual literature
• Modernist literature
• Modernism
• Verbal painting
• Twentieth-century literature

Statement dc:rights

• © 2016, Michael John Waldron.

Licence dc:rights.uri

• http://creativecommons.org/licenses/by-nc-nd/3.0/

Language dc:language.iso

en

Handle dc:identifier.uri

https://hdl.handle.net/10468/2623

OAI identifier oai:identifier

oai:cora.ucc.ie:10468/2623