This thesis examines the cross-cultural adaptation of the Colombian telenovela Yo soy Betty, la fea (1999–2001) into the American dramedy Ugly Betty (2006–2010), by analyzing how the latter reimagined the original narrative to address U.S.-specific cultural dynamics. Through qualitative analysis and literature review of the narrative structure, this study shows how “Ugly Betty” expanded its predecessor’s critique of beauty standards to explore Latino identity, multiculturalism, and workplace diversity in America. While both series center on an unconventional protagonist navigating the fashion industry, “Ugly Betty” uniquely foregrounds the experiences of a Mexican American family, offering nuanced depictions of immigration, cultural assimilation, and intersectional identity rarely seen in mainstream media.
Unlike the Colombian version’s emphasis on physical transformation, Ugly Betty prioritized inner growth and professional merit, reflecting shifts in American cultural values (McCabe & Akass, 2013). The series also innovated Latino representation by subverting stereotypes, portraying the Suarez family as multidimensional and aspirational while addressing systemic barriers faced by Latinas in professional spaces.
Consequently, “Ugly Betty” reshaped media narratives by balancing universal themes of self-acceptance with culturally specific social commentary. Its success demonstrated the power of cross-cultural storytelling to foster representation and dialogue, paving the way for future series like Jane the Virgin (HuffPost, 2020).
","abstract_html":"<p>This thesis examines the cross-cultural adaptation of the Colombian telenovela Yo soy Betty, la fea (1999–2001) into the American dramedy Ugly Betty (2006–2010), by analyzing how the latter reimagined the original narrative to address U.S.-specific cultural dynamics. Through qualitative analysis and literature review of the narrative structure, this study shows how “Ugly Betty” expanded its predecessor’s critique of beauty standards to explore Latino identity, multiculturalism, and workplace diversity in America. While both series center on an unconventional protagonist navigating the fashion industry, “Ugly Betty” uniquely foregrounds the experiences of a Mexican American family, offering nuanced depictions of immigration, cultural assimilation, and intersectional identity rarely seen in mainstream media.</p> <p>Unlike the Colombian version’s emphasis on physical transformation, Ugly Betty prioritized inner growth and professional merit, reflecting shifts in American cultural values (McCabe & Akass, 2013). The series also innovated Latino representation by subverting stereotypes, portraying the Suarez family as multidimensional and aspirational while addressing systemic barriers faced by Latinas in professional spaces.</p> <p>Consequently, “Ugly Betty” reshaped media narratives by balancing universal themes of self-acceptance with culturally specific social commentary. Its success demonstrated the power of cross-cultural storytelling to foster representation and dialogue, paving the way for future series like Jane the Virgin (HuffPost, 2020).</p>","abstract_has_math":false,"creators":["Hernandez, Marcos Falck"],"institution":null,"degree_name":"Communication - Communication Studies Track","degree_level":"Thesis","degree_discipline":"Communication Department","degree_department":null,"school":null,"contributors":["Dr. Adam Bova","Nili Cimand","Dr. Andrea Frazier"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2025,"date_issued":"2025-01-01T08:00:00Z","date_published":"2025-01-01T08:00:00Z","updated_at":"2026-07-24T01:44:41Z","subjects":["Cross-Cultural Adaptation","Latino Representation","Beauty Standards","Workplace Diversity","Cultural Assimilation","Media Stereotypes","Communication","Critical and Cultural Studies"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://csuepress.columbusstate.edu/theses_dissertations/567","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dr. Adam Bova","Nili Cimand","Dr. Andrea Frazier"]},{"key":"dc:creator","label":"Author","values":["Hernandez, Marcos Falck"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Communication Department"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Communication - Communication Studies Track"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Cross-Cultural Adaptation","Latino Representation","Beauty Standards","Workplace Diversity","Cultural Assimilation","Media Stereotypes","Communication","Critical and Cultural Studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://csuepress.columbusstate.edu/theses_dissertations/567"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis examines the cross-cultural adaptation of the Colombian telenovela Yo soy Betty, la fea (1999–2001) into the American dramedy Ugly Betty (2006–2010), by analyzing how the latter reimagined the original narrative to address U.S.-specific cultural dynamics. Through qualitative analysis and literature review of the narrative structure, this study shows how “Ugly Betty” expanded its predecessor’s critique of beauty standards to explore Latino identity, multiculturalism, and workplace diversity in America. While both series center on an unconventional protagonist navigating the fashion industry, “Ugly Betty” uniquely foregrounds the experiences of a Mexican American family, offering nuanced depictions of immigration, cultural assimilation, and intersectional identity rarely seen in mainstream media.
Unlike the Colombian version’s emphasis on physical transformation, Ugly Betty prioritized inner growth and professional merit, reflecting shifts in American cultural values (McCabe & Akass, 2013). The series also innovated Latino representation by subverting stereotypes, portraying the Suarez family as multidimensional and aspirational while addressing systemic barriers faced by Latinas in professional spaces.
Consequently, “Ugly Betty” reshaped media narratives by balancing universal themes of self-acceptance with culturally specific social commentary. Its success demonstrated the power of cross-cultural storytelling to foster representation and dialogue, paving the way for future series like Jane the Virgin (HuffPost, 2020).
"]},{"key":"dc:title","label":"Title","values":["Cross-Cultural Narratives: A Comparative Analysis of \"Yo Soy Betty, La Fea\" and \"Ugly Betty\""]}]}],"canonical_facts":{"dc:contributor":["Dr. Adam Bova","Nili Cimand","Dr. Andrea Frazier"],"dc:creator":["Hernandez, Marcos Falck"],"dc:description.abstract":["This thesis examines the cross-cultural adaptation of the Colombian telenovela Yo soy Betty, la fea (1999–2001) into the American dramedy Ugly Betty (2006–2010), by analyzing how the latter reimagined the original narrative to address U.S.-specific cultural dynamics. Through qualitative analysis and literature review of the narrative structure, this study shows how “Ugly Betty” expanded its predecessor’s critique of beauty standards to explore Latino identity, multiculturalism, and workplace diversity in America. While both series center on an unconventional protagonist navigating the fashion industry, “Ugly Betty” uniquely foregrounds the experiences of a Mexican American family, offering nuanced depictions of immigration, cultural assimilation, and intersectional identity rarely seen in mainstream media.
Unlike the Colombian version’s emphasis on physical transformation, Ugly Betty prioritized inner growth and professional merit, reflecting shifts in American cultural values (McCabe & Akass, 2013). The series also innovated Latino representation by subverting stereotypes, portraying the Suarez family as multidimensional and aspirational while addressing systemic barriers faced by Latinas in professional spaces.
Consequently, “Ugly Betty” reshaped media narratives by balancing universal themes of self-acceptance with culturally specific social commentary. Its success demonstrated the power of cross-cultural storytelling to foster representation and dialogue, paving the way for future series like Jane the Virgin (HuffPost, 2020).
"],"dc:identifier":["https://csuepress.columbusstate.edu/theses_dissertations/567"],"dc:language":["English"],"dc:subject":["Cross-Cultural Adaptation","Latino Representation","Beauty Standards","Workplace Diversity","Cultural Assimilation","Media Stereotypes","Communication","Critical and Cultural Studies"],"dc:title":["Cross-Cultural Narratives: A Comparative Analysis of \"Yo Soy Betty, La Fea\" and \"Ugly Betty\""],"thesis:degree_discipline":["Communication Department"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Communication - Communication Studies Track"]},"updated_at":"2026-07-24T01:44:41Z"}