In the last two decades, a considerable number of contemporary French authors have employed metafiction—a narrative mode in which texts themselves purposefully call attention to the fact that they are fiction—when writing novels which attempt to grapple with traumatic events, namely World War II and the Holocaust. In attempting to understand this popular, but controversial literary phenomenon—called historiographic metafiction—, this thesis contextually analyzes Laurent Binet's Himmler's Him heisst Heydrich (2010), a contemporary French novel about the assassination of real-life Nazi leader Reinhard Heydrich. This thesis also compares Binet's text to two other contemporary French historiographic metafictional novels about World War II and the Holocaust—Jonathan Littell's The Kindly Ones (2006) and Yannick Haenel's The Messenger (2009)—to assert that Binet's text successfully maintains both historical truth and fictional embellishment, whereas Littell's and Haenel's texts are too fictionalized, and therefore fail to maintain enough historical accuracy to be considered historically true.
","abstract_html":"<p>In the last two decades, a considerable number of contemporary French authors have employed metafiction—a narrative mode in which texts themselves purposefully call attention to the fact that they are fiction—when writing novels which attempt to grapple with traumatic events, namely World War II and the Holocaust. In attempting to understand this popular, but controversial literary phenomenon—called historiographic metafiction—, this thesis contextually analyzes Laurent Binet's <em>Himmler's Him heisst Heydrich</em> (2010), a contemporary French novel about the assassination of real-life Nazi leader Reinhard Heydrich. This thesis also compares Binet's text to two other contemporary French historiographic metafictional novels about World War II and the Holocaust—Jonathan Littell's <em>The Kindly Ones</em> (2006) and Yannick Haenel's <em>The Messenger</em> (2009)—to assert that Binet's text successfully maintains both historical truth and fictional embellishment, whereas Littell's and Haenel's texts are <em>too</em> fictionalized, and therefore fail to maintain enough historical accuracy to be considered historically true.</p>","abstract_has_math":false,"creators":["Davis, Cailee S"],"institution":null,"degree_name":"English Language and Literature - Literature Concentration","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Scott Wilkerson","Dr. Sarah Bowman","Dr. Mariko Izumi"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2017,"date_issued":"2017-04-01T07:00:00Z","date_published":"2017-04-01T07:00:00Z","updated_at":"2026-07-24T01:45:01Z","subjects":["World War II","The Holocaust","Historiographic Metafiction","Laurent Binet","Jonathan Littell","Yannick Haenel","French Literature","English Language and Literature","European History","French and Francophone Language and Literature"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://csuepress.columbusstate.edu/theses_dissertations/284","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Scott Wilkerson","Dr. Sarah Bowman","Dr. Mariko Izumi"]},{"key":"dc:creator","label":"Author","values":["Davis, Cailee S"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2018-08-13T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["English Language and Literature - Literature Concentration"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["World War II","The Holocaust","Historiographic Metafiction","Laurent Binet","Jonathan Littell","Yannick Haenel","French Literature","English Language and Literature","European History","French and Francophone Language and Literature"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://csuepress.columbusstate.edu/theses_dissertations/284"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["In the last two decades, a considerable number of contemporary French authors have employed metafiction—a narrative mode in which texts themselves purposefully call attention to the fact that they are fiction—when writing novels which attempt to grapple with traumatic events, namely World War II and the Holocaust. In attempting to understand this popular, but controversial literary phenomenon—called historiographic metafiction—, this thesis contextually analyzes Laurent Binet's Himmler's Him heisst Heydrich (2010), a contemporary French novel about the assassination of real-life Nazi leader Reinhard Heydrich. This thesis also compares Binet's text to two other contemporary French historiographic metafictional novels about World War II and the Holocaust—Jonathan Littell's The Kindly Ones (2006) and Yannick Haenel's The Messenger (2009)—to assert that Binet's text successfully maintains both historical truth and fictional embellishment, whereas Littell's and Haenel's texts are too fictionalized, and therefore fail to maintain enough historical accuracy to be considered historically true.
"]},{"key":"dc:title","label":"Title","values":["Laurent Binet's HHhH: Historiographic Metafiction in Contemporary French Literature about World War II"]}]}],"canonical_facts":{"dc:contributor":["Scott Wilkerson","Dr. Sarah Bowman","Dr. Mariko Izumi"],"dc:creator":["Davis, Cailee S"],"dc:date.available":["2018-08-13T07:00:00Z"],"dc:description.abstract":["In the last two decades, a considerable number of contemporary French authors have employed metafiction—a narrative mode in which texts themselves purposefully call attention to the fact that they are fiction—when writing novels which attempt to grapple with traumatic events, namely World War II and the Holocaust. In attempting to understand this popular, but controversial literary phenomenon—called historiographic metafiction—, this thesis contextually analyzes Laurent Binet's Himmler's Him heisst Heydrich (2010), a contemporary French novel about the assassination of real-life Nazi leader Reinhard Heydrich. This thesis also compares Binet's text to two other contemporary French historiographic metafictional novels about World War II and the Holocaust—Jonathan Littell's The Kindly Ones (2006) and Yannick Haenel's The Messenger (2009)—to assert that Binet's text successfully maintains both historical truth and fictional embellishment, whereas Littell's and Haenel's texts are too fictionalized, and therefore fail to maintain enough historical accuracy to be considered historically true.
"],"dc:identifier":["https://csuepress.columbusstate.edu/theses_dissertations/284"],"dc:language":["English"],"dc:subject":["World War II","The Holocaust","Historiographic Metafiction","Laurent Binet","Jonathan Littell","Yannick Haenel","French Literature","English Language and Literature","European History","French and Francophone Language and Literature"],"dc:title":["Laurent Binet's HHhH: Historiographic Metafiction in Contemporary French Literature about World War II"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["English Language and Literature - Literature Concentration"]},"updated_at":"2026-07-24T01:45:01Z"}