{"id":{"repo_id":"columbus-state","oai_identifier":"oai:csuepress.columbusstate.edu:theses_dissertations-1235"},"canonical_url":"https://search.dev.ndltd.org/etd/columbus-state/oai:csuepress.columbusstate.edu:theses_dissertations-1235","repository":{"repo_id":"columbus-state","name":"Columbus State University","base_url":"https://csuepress.columbusstate.edu/do/oai/"},"display":{"title":"The Evolution of the Clarinet and Its Effect on Compositions Written for the Instrument","abstract":"<p>The purpose of this lecture recital was to reflect upon the rapid mechanical progression of the clarinet, a fairly new instrument to the musical world and how these quick changes effected the way composers were writing music for the instrument. There are many factors to the contribution of the clarinet repertoire in which some are explored in the following research. This research revealed that the evolution of the clarinet depended on many individuals both composers, performers, and instrument makers alike.</p>","abstract_html":"&lt;p&gt;The purpose of this lecture recital was to reflect upon the rapid mechanical progression of the clarinet, a fairly new instrument to the musical world and how these quick changes effected the way composers were writing music for the instrument. There are many factors to the contribution of the clarinet repertoire in which some are explored in the following research. This research revealed that the evolution of the clarinet depended on many individuals both composers, performers, and instrument makers alike.&lt;/p&gt;","abstract_has_math":false,"creators":["Hargrove, Victoria A"],"institution":null,"degree_name":"Music Performance - Instrumental Concentration","degree_level":"Thesis","degree_discipline":"Schwob School of Music","degree_department":null,"school":null,"contributors":["Dr. Lisa Oberlander","Dr. Susan Tomkiewicz","Dr. Cindy Ticknor"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016-05-01T07:00:00Z","date_published":"2016-05-01T07:00:00Z","updated_at":"2026-07-24T01:44:55Z","subjects":["Clarinet","Evolution","Repertoire","Music","Musicology","Music Performance"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://csuepress.columbusstate.edu/theses_dissertations/236","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dr. Lisa Oberlander","Dr. Susan Tomkiewicz","Dr. Cindy Ticknor"]},{"key":"dc:creator","label":"Author","values":["Hargrove, Victoria A"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2017-07-25T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Schwob School of Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Music Performance - Instrumental Concentration"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Clarinet","Evolution","Repertoire","Music","Musicology","Music Performance"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://csuepress.columbusstate.edu/theses_dissertations/236"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>The purpose of this lecture recital was to reflect upon the rapid mechanical progression of the clarinet, a fairly new instrument to the musical world and how these quick changes effected the way composers were writing music for the instrument. There are many factors to the contribution of the clarinet repertoire in which some are explored in the following research. This research revealed that the evolution of the clarinet depended on many individuals both composers, performers, and instrument makers alike.</p>"]},{"key":"dc:title","label":"Title","values":["The Evolution of the Clarinet and Its Effect on Compositions Written for the Instrument"]}]}],"canonical_facts":{"dc:contributor":["Dr. Lisa Oberlander","Dr. Susan Tomkiewicz","Dr. Cindy Ticknor"],"dc:creator":["Hargrove, Victoria A"],"dc:date.available":["2017-07-25T07:00:00Z"],"dc:description.abstract":["<p>The purpose of this lecture recital was to reflect upon the rapid mechanical progression of the clarinet, a fairly new instrument to the musical world and how these quick changes effected the way composers were writing music for the instrument. There are many factors to the contribution of the clarinet repertoire in which some are explored in the following research. 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