In approaching Tartuffe from a dramaturgical standpoint, one must consider the relevancy of the production and how the production team is able to translate the message of an antiquated play to a modem audience. In our case, the solution was to set the play in 1926 Paris instead of the original 1669 Paris. From there, I conducted research on the two periods, discovered the pivotal factors that connected them, and further connected those issues to today’s world. After consulting scholarly articles concerning French history and literature, I compiled a Dramaturgy Casebook that contains information and analyses crucial to understanding the world of the play.
","abstract_html":"<p>In approaching Tartuffe from a dramaturgical standpoint, one must consider the relevancy of the production and how the production team is able to translate the message of an antiquated play to a modem audience. In our case, the solution was to set the play in 1926 Paris instead of the original 1669 Paris. From there, I conducted research on the two periods, discovered the pivotal factors that connected them, and further connected those issues to today’s world. After consulting scholarly articles concerning French history and literature, I compiled a Dramaturgy Casebook that contains information and analyses crucial to understanding the world of the play.</p>","abstract_has_math":false,"creators":["Maxfield, Amelia"],"institution":null,"degree_name":"Theatre","degree_level":"Thesis","degree_discipline":"Theatre Department","degree_department":null,"school":null,"contributors":["Dr. Becky Becker","David Turner","Dr. Sarah Bowman"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2016,"date_issued":"2016-05-01T07:00:00Z","date_published":"2016-05-01T07:00:00Z","updated_at":"2026-07-24T01:44:55Z","subjects":["Moliere","Tartuffe","France","Dramaturgy","Fine Arts","Theatre and Performance Studies"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://csuepress.columbusstate.edu/theses_dissertations/244","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dr. Becky Becker","David Turner","Dr. Sarah Bowman"]},{"key":"dc:creator","label":"Author","values":["Maxfield, Amelia"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2017-07-25T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Theatre Department"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Theatre"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Moliere","Tartuffe","France","Dramaturgy","Fine Arts","Theatre and Performance Studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://csuepress.columbusstate.edu/theses_dissertations/244"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["In approaching Tartuffe from a dramaturgical standpoint, one must consider the relevancy of the production and how the production team is able to translate the message of an antiquated play to a modem audience. In our case, the solution was to set the play in 1926 Paris instead of the original 1669 Paris. From there, I conducted research on the two periods, discovered the pivotal factors that connected them, and further connected those issues to today’s world. After consulting scholarly articles concerning French history and literature, I compiled a Dramaturgy Casebook that contains information and analyses crucial to understanding the world of the play.
"]},{"key":"dc:title","label":"Title","values":["Oh, The Hypocrisy! Or, A Dramaturgical Analysis of Moliere's Tartuffe"]}]}],"canonical_facts":{"dc:contributor":["Dr. Becky Becker","David Turner","Dr. Sarah Bowman"],"dc:creator":["Maxfield, Amelia"],"dc:date.available":["2017-07-25T07:00:00Z"],"dc:description.abstract":["In approaching Tartuffe from a dramaturgical standpoint, one must consider the relevancy of the production and how the production team is able to translate the message of an antiquated play to a modem audience. In our case, the solution was to set the play in 1926 Paris instead of the original 1669 Paris. From there, I conducted research on the two periods, discovered the pivotal factors that connected them, and further connected those issues to today’s world. After consulting scholarly articles concerning French history and literature, I compiled a Dramaturgy Casebook that contains information and analyses crucial to understanding the world of the play.
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