{"id":{"repo_id":"columbia-diss","oai_identifier":"oai:academiccommons.columbia.edu:10.7916/D8668MDT"},"canonical_url":"https://search.dev.ndltd.org/etd/columbia-diss/oai:academiccommons.columbia.edu:10.7916/D8668MDT","repository":{"repo_id":"columbia-diss","name":"Columbia University","base_url":"https://academiccommons.columbia.edu/oai"},"display":{"title":"The Déploration as Musical Idea","abstract":"Hitherto unidentified as such, the déploration as musical idea forms the subject of this study. With a canon of thirty works spanning the late-fourteenth to the late-sixteenth centuries, the déploration tradition provides the historian with unique insight on composerly self-understanding during this era. Long mischaracterized as a mode of individual lament, the déploration may be more accurately defined as a mode of communal commemoration.","abstract_html":"Hitherto unidentified as such, the déploration as musical idea forms the subject of this study. With a canon of thirty works spanning the late-fourteenth to the late-sixteenth centuries, the déploration tradition provides the historian with unique insight on composerly self-understanding during this era. Long mischaracterized as a mode of individual lament, the déploration may be more accurately defined as a mode of communal commemoration.","abstract_has_math":false,"creators":["Hallowell, Sean"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013","date_published":"2013","updated_at":"2026-07-24T01:44:27Z","subjects":["Music","Music theory"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://doi.org/10.7916/D8668MDT","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Hallowell, Sean"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2013"]},{"key":"dc:type","label":"Dc Type","values":["Theses"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music","Music theory"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://doi.org/10.7916/D8668MDT"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Hitherto unidentified as such, the déploration as musical idea forms the subject of this study. With a canon of thirty works spanning the late-fourteenth to the late-sixteenth centuries, the déploration tradition provides the historian with unique insight on composerly self-understanding during this era. Long mischaracterized as a mode of individual lament, the déploration may be more accurately defined as a mode of communal commemoration."]},{"key":"dc:title","label":"Title","values":["The Déploration as Musical Idea"]}]}],"canonical_facts":{"dc:creator":["Hallowell, Sean"],"dc:date":["2013"],"dc:description":["Hitherto unidentified as such, the déploration as musical idea forms the subject of this study. With a canon of thirty works spanning the late-fourteenth to the late-sixteenth centuries, the déploration tradition provides the historian with unique insight on composerly self-understanding during this era. Long mischaracterized as a mode of individual lament, the déploration may be more accurately defined as a mode of communal commemoration."],"dc:identifier":["https://doi.org/10.7916/D8668MDT"],"dc:language":["English"],"dc:subject":["Music","Music theory"],"dc:title":["The Déploration as Musical Idea"],"dc:type":["Theses"]},"updated_at":"2026-07-24T01:44:27Z"}