{"id":{"repo_id":"colostate","oai_identifier":"oai:mountainscholar.org:10217/82522"},"canonical_url":"https://search.dev.ndltd.org/etd/colostate/oai:mountainscholar.org:10217/82522","repository":{"repo_id":"colostate","name":"Colorado State University","base_url":"https://api.mountainscholar.org/server/oai/request"},"display":{"title":"\"Too disconnected/too bound up\": the paradox of identity in Mercé Rodoreda's The time of the doves","abstract":"Feminist theory has shown how women's lives are paradoxically both marginal to, yet affected by, hegemonic discourses of power. However, as long as women's experiences are viewed singularly along an axis of sexual difference, placing paradox as a trope for female identity risks reinscribing a closed system of oppression based only on male-female relations, thereby foreclosing possibilities for oppositional strategies organized around intersecting locations of resistance. Mercé Rodoreda's The Time of the Doves, originally published in Catalan as La Plaça del Diamant in 1962, portrays a working-class woman's life in Barcelona from the onset of the Second Republic to the aftermath of the Spanish Civil War, a period she calls \"a piece of history.\" Natalia's presence as both \"articulate\" narrator and \"inarticulate\" character embodies her paradoxical position as both outside and inside discourses of gender, class, and national oppression. Attention to the specific cultural contexts within which women's lives are both externally constructed and internalized allows a recognition of Natalia's silence and inwardness oppositional strategies of survival rather than as qualities of limitation and alienation.","abstract_html":"Feminist theory has shown how women's lives are paradoxically both marginal to, yet affected by, hegemonic discourses of power. However, as long as women's experiences are viewed singularly along an axis of sexual difference, placing paradox as a trope for female identity risks reinscribing a closed system of oppression based only on male-female relations, thereby foreclosing possibilities for oppositional strategies organized around intersecting locations of resistance. Mercé Rodoreda's The Time of the Doves, originally published in Catalan as La Plaça del Diamant in 1962, portrays a working-class woman's life in Barcelona from the onset of the Second Republic to the aftermath of the Spanish Civil War, a period she calls "a piece of history." Natalia's presence as both "articulate" narrator and "inarticulate" character embodies her paradoxical position as both outside and inside discourses of gender, class, and national oppression. Attention to the specific cultural contexts within which women's lives are both externally constructed and internalized allows a recognition of Natalia's silence and inwardness oppositional strategies of survival rather than as qualities of limitation and alienation.","abstract_has_math":false,"creators":["Short, Kayann, author","Freeman, Marion, committee member","Mitchell, Carol, committee member","Boyer, Harriet, 1936-, committee member"],"institution":"Colorado State University. Libraries","degree_name":"Master of Arts (M.A.)","degree_level":"Masters","degree_discipline":"English","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1991,"date_issued":"1991","date_published":"1991","updated_at":"2026-07-27T19:13:09Z","subjects":["Spanish fiction -- Women authors","Women in literature","Identity (Psychology) in literature"],"languages":["eng","English"],"rights":["Copyright and other restrictions may apply. 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However, as long as women's experiences are viewed singularly along an axis of sexual difference, placing paradox as a trope for female identity risks reinscribing a closed system of oppression based only on male-female relations, thereby foreclosing possibilities for oppositional strategies organized around intersecting locations of resistance. Mercé Rodoreda's The Time of the Doves, originally published in Catalan as La Plaça del Diamant in 1962, portrays a working-class woman's life in Barcelona from the onset of the Second Republic to the aftermath of the Spanish Civil War, a period she calls \"a piece of history.\" Natalia's presence as both \"articulate\" narrator and \"inarticulate\" character embodies her paradoxical position as both outside and inside discourses of gender, class, and national oppression. 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