{"id":{"repo_id":"colostate","oai_identifier":"oai:mountainscholar.org:10217/241066"},"canonical_url":"https://search.dev.ndltd.org/etd/colostate/oai:mountainscholar.org:10217/241066","repository":{"repo_id":"colostate","name":"Colorado State University","base_url":"https://api.mountainscholar.org/server/oai/request"},"display":{"title":"#MeToo media and Hollywood: challenging sexual violence in film and television and the limits of media industries","abstract":"Ever since bombshell news reports exposed media mogul Harvey Weinstein as a sexual predator in 2017, there has been an influx of narrative film and television texts that address the #MeToo movement—both implicitly and explicitly—in their narratives. Taken together, these texts make up a distinct cycle of film and television I term \"#MeToo Media.\" This dissertation seeks to uncover how Hollywood comes to terms with the #MeToo movement through its relationship with the #MeToo Media Cycle. #MeToo Media both challenge and reinforce power dynamics in Hollywood. On the one hand, these texts can productively engage in #MeToo discourses and challenge sexual violence through narrative storytelling. On the other hand, #MeToo Media can be a mechanism for Hollywood to pay lip service to the #MeToo movement without confronting the larger structural issues that enabled Harvey Weinstein in the first place. I analyze how these tensions play out across industrial contexts, from mainstream Hollywood to independent cinema to streaming television. Ultimately, this dissertation argues that the transgressive potential of #MeToo Media is often limited by the regressive practices of the media industry institutions that produce, exhibit, and award them.","abstract_html":"Ever since bombshell news reports exposed media mogul Harvey Weinstein as a sexual predator in 2017, there has been an influx of narrative film and television texts that address the #MeToo movement—both implicitly and explicitly—in their narratives. Taken together, these texts make up a distinct cycle of film and television I term "#MeToo Media." This dissertation seeks to uncover how Hollywood comes to terms with the #MeToo movement through its relationship with the #MeToo Media Cycle. #MeToo Media both challenge and reinforce power dynamics in Hollywood. On the one hand, these texts can productively engage in #MeToo discourses and challenge sexual violence through narrative storytelling. On the other hand, #MeToo Media can be a mechanism for Hollywood to pay lip service to the #MeToo movement without confronting the larger structural issues that enabled Harvey Weinstein in the first place. I analyze how these tensions play out across industrial contexts, from mainstream Hollywood to independent cinema to streaming television. Ultimately, this dissertation argues that the transgressive potential of #MeToo Media is often limited by the regressive practices of the media industry institutions that produce, exhibit, and award them.","abstract_has_math":false,"creators":["Lynn, Emma, author","Marx, Nick, advisor","Diffrient, Scott, committee member","Gibson, Katie, committee member","Chatterjee, Sushmita, committee member"],"institution":"Colorado State University. 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For information about copyright law, please see https://libguides.colostate.edu/copyright."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://doi.org/10.25675/3.02433"],"render_values":[{"text":"https://doi.org/10.25675/3.02433","href":"https://doi.org/10.25675/3.02433","code":true}]}]},"links":{"outbound_url":"https://hdl.handle.net/10217/241066","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Lynn, Emma, author","Marx, Nick, advisor","Diffrient, Scott, committee member","Gibson, Katie, committee member","Chatterjee, Sushmita, committee member"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-06-02T15:21:22Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2025-06-02T15:21:22Z"]},{"key":"dc:date.issued","label":"Date","values":["2025"]},{"key":"dc:publisher","label":"Institution","values":["Colorado State University. 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Taken together, these texts make up a distinct cycle of film and television I term \"#MeToo Media.\" This dissertation seeks to uncover how Hollywood comes to terms with the #MeToo movement through its relationship with the #MeToo Media Cycle. #MeToo Media both challenge and reinforce power dynamics in Hollywood. On the one hand, these texts can productively engage in #MeToo discourses and challenge sexual violence through narrative storytelling. On the other hand, #MeToo Media can be a mechanism for Hollywood to pay lip service to the #MeToo movement without confronting the larger structural issues that enabled Harvey Weinstein in the first place. I analyze how these tensions play out across industrial contexts, from mainstream Hollywood to independent cinema to streaming television. 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Taken together, these texts make up a distinct cycle of film and television I term \"#MeToo Media.\" This dissertation seeks to uncover how Hollywood comes to terms with the #MeToo movement through its relationship with the #MeToo Media Cycle. #MeToo Media both challenge and reinforce power dynamics in Hollywood. On the one hand, these texts can productively engage in #MeToo discourses and challenge sexual violence through narrative storytelling. On the other hand, #MeToo Media can be a mechanism for Hollywood to pay lip service to the #MeToo movement without confronting the larger structural issues that enabled Harvey Weinstein in the first place. I analyze how these tensions play out across industrial contexts, from mainstream Hollywood to independent cinema to streaming television. 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