{"id":{"repo_id":"colostate","oai_identifier":"oai:mountainscholar.org:10217/197254"},"canonical_url":"https://search.dev.ndltd.org/etd/colostate/oai:mountainscholar.org:10217/197254","repository":{"repo_id":"colostate","name":"Colorado State University","base_url":"https://api.mountainscholar.org/server/oai/request"},"display":{"title":"Picnic in the abattoir","abstract":"Picnic in the Abattoir is a collection investigating the negotiation of self amid a myriad of antagonistic forces. These forces include pop cultural products (particularly horror films), violence against women and its depiction in media, viewership and the gaze, etc. The collection is structured in three sections, or \"Acts\", supplemented with a \"Postscript\". This structure is intended to mimic, but ultimately subvert, the traditional three-act structure of narrative fiction and film. These poems not only serve as a continuation of my work in the past two years within horror tropes and ontologies of \"victimhood,\" but also broach new topics for me, like the influence of film on ways of seeing and understanding the world and the paradoxical intertwining of fascination and aversion within the viewing experience.","abstract_html":"Picnic in the Abattoir is a collection investigating the negotiation of self amid a myriad of antagonistic forces. These forces include pop cultural products (particularly horror films), violence against women and its depiction in media, viewership and the gaze, etc. The collection is structured in three sections, or &quot;Acts&quot;, supplemented with a &quot;Postscript&quot;. This structure is intended to mimic, but ultimately subvert, the traditional three-act structure of narrative fiction and film. These poems not only serve as a continuation of my work in the past two years within horror tropes and ontologies of &quot;victimhood,&quot; but also broach new topics for me, like the influence of film on ways of seeing and understanding the world and the paradoxical intertwining of fascination and aversion within the viewing experience.","abstract_has_math":false,"creators":["Hyche, Emma Catherine, author","Steensen, Sasha, advisor","Beachy-Quick, Dan, committee member","McKee, Patrick, committee member"],"institution":"Colorado State University. Libraries","degree_name":"Master of Fine Arts (M.F.A.)","degree_level":"Masters","degree_discipline":"English","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2019,"date_issued":"2019","date_published":"2019","updated_at":"2026-07-27T19:13:06Z","subjects":[],"languages":["eng","English"],"rights":["Copyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://doi.org/10.25675/3.018573"],"render_values":[{"text":"https://doi.org/10.25675/3.018573","href":"https://doi.org/10.25675/3.018573","code":true}]}]},"links":{"outbound_url":"https://hdl.handle.net/10217/197254","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Hyche, Emma Catherine, author","Steensen, Sasha, advisor","Beachy-Quick, Dan, committee member","McKee, Patrick, committee member"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2019-09-10T14:35:24Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2021-09-03T14:36:14Z"]},{"key":"dc:date.issued","label":"Date","values":["2019"]},{"key":"dc:publisher","label":"Institution","values":["Colorado State University. Libraries"]},{"key":"dc:type","label":"Dc Type","values":["Text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts (M.F.A.)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Colorado State University"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["Copyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["Hyche_colostate_0053N_15474.pdf"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10217/197254","https://doi.org/10.25675/3.018573"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Picnic in the Abattoir is a collection investigating the negotiation of self amid a myriad of antagonistic forces. These forces include pop cultural products (particularly horror films), violence against women and its depiction in media, viewership and the gaze, etc. The collection is structured in three sections, or \"Acts\", supplemented with a \"Postscript\". This structure is intended to mimic, but ultimately subvert, the traditional three-act structure of narrative fiction and film. These poems not only serve as a continuation of my work in the past two years within horror tropes and ontologies of \"victimhood,\" but also broach new topics for me, like the influence of film on ways of seeing and understanding the world and the paradoxical intertwining of fascination and aversion within the viewing experience."]},{"key":"dc:format.medium","label":"Dc Format Medium","values":["born digital","masters theses"]},{"key":"dc:title","label":"Title","values":["Picnic in the abattoir"]}]}],"canonical_facts":{"dc:creator":["Hyche, Emma Catherine, author","Steensen, Sasha, advisor","Beachy-Quick, Dan, committee member","McKee, Patrick, committee member"],"dc:date.accessioned":["2019-09-10T14:35:24Z"],"dc:date.available":["2021-09-03T14:36:14Z"],"dc:date.issued":["2019"],"dc:description.abstract":["Picnic in the Abattoir is a collection investigating the negotiation of self amid a myriad of antagonistic forces. These forces include pop cultural products (particularly horror films), violence against women and its depiction in media, viewership and the gaze, etc. The collection is structured in three sections, or \"Acts\", supplemented with a \"Postscript\". This structure is intended to mimic, but ultimately subvert, the traditional three-act structure of narrative fiction and film. These poems not only serve as a continuation of my work in the past two years within horror tropes and ontologies of \"victimhood,\" but also broach new topics for me, like the influence of film on ways of seeing and understanding the world and the paradoxical intertwining of fascination and aversion within the viewing experience."],"dc:format.medium":["born digital","masters theses"],"dc:identifier":["Hyche_colostate_0053N_15474.pdf"],"dc:identifier.uri":["https://hdl.handle.net/10217/197254","https://doi.org/10.25675/3.018573"],"dc:language":["English"],"dc:language.iso":["eng"],"dc:publisher":["Colorado State University. Libraries"],"dc:rights":["Copyright and other restrictions may apply. User is responsible for compliance with all applicable laws. For information about copyright law, please see https://libguides.colostate.edu/copyright."],"dc:title":["Picnic in the abattoir"],"dc:type":["Text"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Masters"],"thesis:degree_name":["Master of Fine Arts (M.F.A.)"],"thesis:institution_name":["Colorado State University"]},"updated_at":"2026-07-27T19:13:06Z"}