The “Unforgetting” of the Armenian Genocide: The Documentary Work of J. Michael Hagopian and the Remembering of the Armenian Genocide in the Late 20th Century
type: CreativeWork
description: This dissertation examines the evolution of Armenian genocide memory through the documentary films of J. Michael Hagopian. In the mid-20th century, the Armenian genocide remained largely unrecognized and was systematically denied by the Turkish state. However, by the late 20th century, the genocide had become a cornerstone of Armenian-American identity and a subject of increasing scholarly and public discourse. This study explores how Hagopian’s films played a pivotal role in this transformation, documenting survivor testimonies and shaping public awareness in an era of growing historical consciousness. Rather than analyzing Hagopian’s entire body of work, this dissertation focuses on select films that exemplify his contributions to genocide remembrance and historical advocacy. These include Where Are My People? (1965), The Forgotten Genocide (1975), and key films from his Witness Trilogy , which collectively illustrate his evolving approach to visual storytelling, oral history, and the fight against genocide denial. By situating these films within the broader sociopolitical changes of the 1960s–1990s—including the rise of human rights movements, ethnic power movements, and the civil rights movement’s influence on marginalized communities—this study argues that Hagopian’s pioneering use of documentary film not only countered denial about the genocide but also contributed to the development of Armenian genocide studies as an academic field. His work paralleled and reinforced the cultural and political efforts of Armenian-Americans seeking recognition of the genocide in both the U.S. and global arenas. By tracing the intersection of historical memory, visual media, and political activism, this dissertation sheds light on how the Armenian genocide was gradually “unforgotten” in the late 20th century. It demonstrates that Hagopian’s films were more than historical records—they were acts of resistance, memory preservation, and advocacy that helped shape the trajectory of…
abstract: This dissertation examines the evolution of Armenian genocide memory through the documentary films of J. Michael Hagopian. In the mid-20th century, the Armenian genocide remained largely unrecognized and was systematically denied by the Turkish state. However, by the late 20th century, the genocide had become a cornerstone of Armenian-American identity and a subject of increasing scholarly and public discourse. This study explores how Hagopian’s films played a pivotal role in this transformation, documenting survivor testimonies and shaping public awareness in an era of growing historical consciousness. Rather than analyzing Hagopian’s entire body of work, this dissertation focuses on select films that exemplify his contributions to genocide remembrance and historical advocacy. These include Where Are My People? (1965), The Forgotten Genocide (1975), and key films from his Witness Trilogy , which collectively illustrate his evolving approach to visual storytelling, oral history, and the fight against genocide denial. By situating these films within the broader sociopolitical changes of the 1960s–1990s—including the rise of human rights movements, ethnic power movements, and the civil rights movement’s influence on marginalized communities—this study argues that Hagopian’s pioneering use of documentary film not only countered denial about the genocide but also contributed to the development of Armenian genocide studies as an academic field. His work paralleled and reinforced the cultural and political efforts of Armenian-Americans seeking recognition of the genocide in both the U.S. and global arenas. By tracing the intersection of historical memory, visual media, and political activism, this dissertation sheds light on how the Armenian genocide was gradually “unforgotten” in the late 20th century. It demonstrates that Hagopian’s films were more than historical records—they were acts of resistance, memory preservation, and advocacy that helped shape the trajectory of…
author: Okonyan, David
keywords: Armenian Genocide, Genocide Studies, Memory Studies, History
date published: 2025-01-01T08:00:00Z
date modified: 2026-07-24T01:41:09Z
provider: Claremont Graduate University
publisher: Networked Digital Library of Theses and Dissertations
type: WebPage
source organization: Claremont Graduate University