{"id":{"repo_id":"claremont","oai_identifier":"oai:scholarship.claremont.edu:cgu_etd-1115"},"canonical_url":"https://search.dev.ndltd.org/etd/claremont/oai:scholarship.claremont.edu:cgu_etd-1115","repository":{"repo_id":"claremont","name":"Claremont Graduate University","base_url":"https://scholarship.claremont.edu/do/oai/"},"display":{"title":"Valentin Roeser’s Essay on the Clarinet (1764) Background and Commentary","abstract":"<p>Valentin Roeser’s Essai d’instruction à l’usage de ceux qui composent pour la clarinette et le cor is the earliest treatise on instrumentation and the first theoretical study of the clarinet. Comparisons are drawn with other eighteenth-century instructional materials, e.g. Francoeur’s Diapason général, La Borde’s Essai sur la musique, and Vanderhagen’s Méthode nouvelle et raisonnée pour la clarinette. A history of the chalumeau and two-keyed clarinet is presented, along with a biographical sketch of Roeser and an English translation of the first section of the Essai. Appendices include a checklist of Roeser’s writings and a list of eighteenth-century music using the chalumeau.</p>","abstract_html":"&lt;p&gt;Valentin Roeser’s Essai d’instruction à l’usage de ceux qui composent pour la clarinette et le cor is the earliest treatise on instrumentation and the first theoretical study of the clarinet. Comparisons are drawn with other eighteenth-century instructional materials, e.g. Francoeur’s Diapason général, La Borde’s Essai sur la musique, and Vanderhagen’s Méthode nouvelle et raisonnée pour la clarinette. A history of the chalumeau and two-keyed clarinet is presented, along with a biographical sketch of Roeser and an English translation of the first section of the Essai. Appendices include a checklist of Roeser’s writings and a list of eighteenth-century music using the chalumeau.&lt;/p&gt;","abstract_has_math":false,"creators":["Rice, Albert Richard"],"institution":null,"degree_name":"Music, MA","degree_level":"Open Access Master's Thesis","degree_discipline":"School of Arts and Humanities","degree_department":null,"school":null,"contributors":["Frank Traficante","Helen M. 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Comparisons are drawn with other eighteenth-century instructional materials, e.g. Francoeur’s Diapason général, La Borde’s Essai sur la musique, and Vanderhagen’s Méthode nouvelle et raisonnée pour la clarinette. A history of the chalumeau and two-keyed clarinet is presented, along with a biographical sketch of Roeser and an English translation of the first section of the Essai. Appendices include a checklist of Roeser’s writings and a list of eighteenth-century music using the chalumeau.</p>"]},{"key":"dc:title","label":"Title","values":["Valentin Roeser’s Essay on the Clarinet (1764) Background and Commentary"]}]}],"canonical_facts":{"dc:contributor":["Frank Traficante","Helen M. 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