Back to results

Claremont Graduate University

Deslanting the Lens

Abstract

dc:description.abstract

<p><em>Deslanting the Lens</em> examines the historical and sociological implications of how Asian men have been represented in popular American film. From the early days of “yellowface” to caricatures like Long Duck Dong, Asian men have been relegated to perpetual foreigner status in American cinema. This paper will explore why the portrayal of Asian men has been limited to very specific ideas about Asian and Asian Americans are in society. This analysis will also include how socio/political events have shaped and influence popular perceptions about Asians, that inform how Asian men continue to be depicted in film.</p>

Degree

thesis:*
Name thesis:degree_name
Cultural Studies, MA
Level thesis:degree_level
Open Access Dissertation
Discipline thesis:degree_discipline
School of Arts and Humanities
Year dc:date.available
1999

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Amador, Lui

Subjects

dc:subject × 7

Identifiers

dc:identifier.*
Repository record dc:identifier
https://scholarship.claremont.edu/cgu_etd/93
OAI identifier oai:identifier
oai:scholarship.claremont.edu:cgu_etd-1095

Chain of custody

source
Harvested from
Claremont Graduate University
Base URL
scholarship.claremont.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Amador, Lui. Deslanting the Lens. Open Access Dissertation thesis, 1999. https://scholarship.claremont.edu/cgu_etd/93