This thesis compares the two versions of The Fly, the 1958 film directed by Kurt Neumann and the 1986 film directed by David Cronenberg, and places them in conversation with one another to examine the ways in which expressions of patriarchal dominance and the ways women operate within their contemporaneous patriarchal systems changes over time. I pinpoint two key tenets of patriarchy – women’s subordination to men and women’s role as mother and caretaker – and analyze them in their historical and filmic contexts. As Andre and Seth entangle Helene and Veronica into the messes they create, their patriarchal dominance becomes apparent either within the home, as with Neumann’s The Fly, or outside of the home, as with Cronenberg’s The Fly. Andre, however, loses his dominance as he transforms, whereas Seth’s only grows stronger. By analyzing how the women in the films interact with these expressions of patriarchal power, I argue that Helene acts as an agent of patriarchal norms while Veronica threatens its eminence. Ultimately, this thesis utilizes the women’s roles in both films to trace a shift in patriarchal operations from the contained, domestic patriarchy of the 1950s to a more aggressive and expansive patriarchy of the 1980s, which is marked by a heightened violence and threats to female autonomy as masculine insecurities and anxieties grew through the rise of the feminist movement.
","abstract_html":"<p>This thesis compares the two versions of <em>The Fly</em>, the 1958 film directed by Kurt Neumann and the 1986 film directed by David Cronenberg, and places them in conversation with one another to examine the ways in which expressions of patriarchal dominance and the ways women operate within their contemporaneous patriarchal systems changes over time. I pinpoint two key tenets of patriarchy – women’s subordination to men and women’s role as mother and caretaker – and analyze them in their historical and filmic contexts. As Andre and Seth entangle Helene and Veronica into the messes they create, their patriarchal dominance becomes apparent either within the home, as with Neumann’s <em>The Fly</em>, or outside of the home, as with Cronenberg’s <em>The Fly</em>. Andre, however, loses his dominance as he transforms, whereas Seth’s only grows stronger. By analyzing how the women in the films interact with these expressions of patriarchal power, I argue that Helene acts as an agent of patriarchal norms while Veronica threatens its eminence. Ultimately, this thesis utilizes the women’s roles in both films to trace a shift in patriarchal operations from the contained, domestic patriarchy of the 1950s to a more aggressive and expansive patriarchy of the 1980s, which is marked by a heightened violence and threats to female autonomy as masculine insecurities and anxieties grew through the rise of the feminist movement.</p>","abstract_has_math":false,"creators":["Daigrepont, Emma"],"institution":null,"degree_name":"Master of Arts (MA)","degree_level":"Thesis","degree_discipline":"Film Studies","degree_department":null,"school":null,"contributors":["Leah Aldridge, Ph.D.","Emily Carman, Ph.D.","John Chichester, M.F.A."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2026,"date_issued":"2026-05-01T07:00:00Z","date_published":"2026-05-01T07:00:00Z","updated_at":"2026-07-24T01:38:47Z","subjects":["patriarchy","gender politics","gender relations","feminism","Film and Media Studies"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.chapman.edu/film_studies_theses/43","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Leah Aldridge, Ph.D.","Emily Carman, Ph.D.","John Chichester, M.F.A."]},{"key":"dc:creator","label":"Author","values":["Daigrepont, Emma"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2028-05-01T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Film Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["patriarchy","gender politics","gender relations","feminism","Film and Media Studies"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.chapman.edu/film_studies_theses/43"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis compares the two versions of The Fly, the 1958 film directed by Kurt Neumann and the 1986 film directed by David Cronenberg, and places them in conversation with one another to examine the ways in which expressions of patriarchal dominance and the ways women operate within their contemporaneous patriarchal systems changes over time. I pinpoint two key tenets of patriarchy – women’s subordination to men and women’s role as mother and caretaker – and analyze them in their historical and filmic contexts. As Andre and Seth entangle Helene and Veronica into the messes they create, their patriarchal dominance becomes apparent either within the home, as with Neumann’s The Fly, or outside of the home, as with Cronenberg’s The Fly. Andre, however, loses his dominance as he transforms, whereas Seth’s only grows stronger. By analyzing how the women in the films interact with these expressions of patriarchal power, I argue that Helene acts as an agent of patriarchal norms while Veronica threatens its eminence. Ultimately, this thesis utilizes the women’s roles in both films to trace a shift in patriarchal operations from the contained, domestic patriarchy of the 1950s to a more aggressive and expansive patriarchy of the 1980s, which is marked by a heightened violence and threats to female autonomy as masculine insecurities and anxieties grew through the rise of the feminist movement.
"]},{"key":"dc:source","label":"Dc Source","values":["Daigrepont, Emma. Uncovering the Monster of Patriarchy: Women of The Fly (1958, 1986) and Shifting Gender Politics. 2026. Chapman University, MA Thesis. Chapman University Digital Commons,https://doi.org/10.36837/chapman.000734"]},{"key":"dc:title","label":"Title","values":["Uncovering the Monster of Patriarchy: Women of The Fly (1958, 1986) and Shifting Gender Politics"]}]}],"canonical_facts":{"dc:contributor":["Leah Aldridge, Ph.D.","Emily Carman, Ph.D.","John Chichester, M.F.A."],"dc:creator":["Daigrepont, Emma"],"dc:date.available":["2028-05-01T07:00:00Z"],"dc:description.abstract":["This thesis compares the two versions of The Fly, the 1958 film directed by Kurt Neumann and the 1986 film directed by David Cronenberg, and places them in conversation with one another to examine the ways in which expressions of patriarchal dominance and the ways women operate within their contemporaneous patriarchal systems changes over time. I pinpoint two key tenets of patriarchy – women’s subordination to men and women’s role as mother and caretaker – and analyze them in their historical and filmic contexts. As Andre and Seth entangle Helene and Veronica into the messes they create, their patriarchal dominance becomes apparent either within the home, as with Neumann’s The Fly, or outside of the home, as with Cronenberg’s The Fly. Andre, however, loses his dominance as he transforms, whereas Seth’s only grows stronger. By analyzing how the women in the films interact with these expressions of patriarchal power, I argue that Helene acts as an agent of patriarchal norms while Veronica threatens its eminence. Ultimately, this thesis utilizes the women’s roles in both films to trace a shift in patriarchal operations from the contained, domestic patriarchy of the 1950s to a more aggressive and expansive patriarchy of the 1980s, which is marked by a heightened violence and threats to female autonomy as masculine insecurities and anxieties grew through the rise of the feminist movement.
"],"dc:identifier":["https://digitalcommons.chapman.edu/film_studies_theses/43"],"dc:source":["Daigrepont, Emma. Uncovering the Monster of Patriarchy: Women of The Fly (1958, 1986) and Shifting Gender Politics. 2026. Chapman University, MA Thesis. Chapman University Digital Commons,https://doi.org/10.36837/chapman.000734"],"dc:subject":["patriarchy","gender politics","gender relations","feminism","Film and Media Studies"],"dc:title":["Uncovering the Monster of Patriarchy: Women of The Fly (1958, 1986) and Shifting Gender Politics"],"thesis:degree_discipline":["Film Studies"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts (MA)"]},"updated_at":"2026-07-24T01:38:47Z"}