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Chapman University

Gendered Film Criticism and “Intolerable Images”: Representation of Female Trauma in Brady Corbet’s <em>Vox Lux</em> (2018)

Abstract

dc:description.abstract

<p>This thesis explores Brady Corbet's 2018 film <em>Vox Lux</em>, focusing on its portrayal of female trauma and the subsequent gendered division in its critical reception. The film centers on Celeste, a survivor of a school shooting who rises to pop stardom, depicting an eighteen-year narrative that transforms her personal trauma into a public spectacle and a critique of American culture. Through theoretical frameworks from Judith Lewis Herman, E. Ann Kaplan, Jacques Rancière and Susan Sontag, this thesis examines how the film's fragmented narrative and stylistic shifts represent the long-term psychological aftermath of trauma, manifesting as emotional dysregulation, substance abuse, and unpredictable behavior. <em>Vox Lux</em> generated a divisive critical response upon its premiere, notably exhibiting a significant gender imbalance, with a large majority of negative reviews authored by male critics, who pathologized Celeste's adult behavior as morally failing, narcissistic, and characteristically flawed, largely overlooking the manifestations of her unresolved trauma and exploitation. Conversely, female critics tended to provide more nuanced interpretations, contextualizing her actions as complex coping mechanisms arising from continuous trauma and industry exploitation. This divergence is analyzed through Rancière's concept of the "intolerable image," suggesting that critical resistance stems not from the suffering depicted itself, but from representations of female trauma that defy conventional expectations of victimhood and resist traditional narrative containment. By doing so, this thesis further highlights the persistent gender biases influencing the interpretation of trauma narratives in film criticism.</p>

Degree

thesis:*
Name thesis:degree_name
Master of Arts (MA)
Level thesis:degree_level
Thesis
Discipline thesis:degree_discipline
Film Studies
Year
2025

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Kreul, Alison
Contributors dc:contributor
  • Dr. Nam Lee
  • Dr. Kelli Fuery
  • Dr. Patrick Fuery

Subjects

dc:subject × 8

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:digitalcommons.chapman.edu:film_studies_theses-1037

Chain of custody

source
Harvested from
Chapman University
Base URL
digitalcommons.chapman.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Kreul, Alison. Gendered Film Criticism and “Intolerable Images”: Representation of Female Trauma in Brady Corbet’s <em>Vox Lux</em> (2018). Thesis thesis, 2025. https://digitalcommons.chapman.edu/film_studies_theses/38