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Chapman University

Smell as Self-identity: Capitalist Ideology and Olfactory Imagination in Das Parfum’s Multimedia Storytelling

Abstract

dc:description.abstract

<p>This thesis explores smell as a cultural signifier in <em>Perfume</em>’s multimedia storytelling. By establishing the theoretical ground upon the historical importance of scent, the thesis focuses particularly on its close interrelationships with the politics of identity, an issue elaborated in Patrick Süskind’s novel <em>D</em><a href="https://de.wikipedia.org/wiki/Das_Parfum_%E2%80%93_Die_Geschichte_eines_M%C3%B6rders" title="Das Parfum – Die Geschichte eines Mörders"><em>as Parfum–Die Geschichte Eines Mörders</em></a><em> </em>(<em>Perfume: The Story of a Murderer</em>, 1985) as well as its two screen adaptations--the film <a href="https://en.wikipedia.org/wiki/Perfume:_The_Story_of_a_Murderer_(film)" title="Perfume: The Story of a Murderer (film)"><em>Perfume: The Story of a Murderer</em></a> (dir. <a href="https://en.wikipedia.org/wiki/Tom_Tykwer" title="Tom Tykwer">Tom Tykwer</a>, 2006) and the television series <em>Parfum </em>(Netflix, 2018). In virtue of textual analysis and cultural studies on Theodor Adorno and Max Horkheimer’s discussion on Enlightenment, Martin Heidegger’s Existentialist philosophy, Foucouldian governmentality, and neoliberal language of self-sufficiency, the thesis analyzes how smell could be effectively visualized through cinematic techniques while ideologically decoding <em>Perfume</em> as a critique of capitalist culture that exerts manipulation, standardization, and fragmentation of individual identity. In conclusion, the three texts of<em> Perfume</em> provide the audience with a unique story universe about olfactory imagination to expose people’s struggles with the sense of self under capitalist development. Meanwhile, the thesis proves that smell as a social and cultural discourse has crucial sense in film and media studies, whilst functioning deeply in people’s everyday life.</p>

Degree

thesis:*
Name thesis:degree_name
Master of Arts (MA)
Level thesis:degree_level
Thesis
Discipline thesis:degree_discipline
Film Studies
Year
2020

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Liu, Xinrong
Contributors dc:contributor
  • Nam Lee
  • Erica Aguero
  • Stephanie Takaragawa

Subjects

dc:subject × 6

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:digitalcommons.chapman.edu:film_studies_theses-1010

Chain of custody

source
Harvested from
Chapman University
Base URL
digitalcommons.chapman.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Liu, Xinrong. Smell as Self-identity: Capitalist Ideology and Olfactory Imagination in Das Parfum’s Multimedia Storytelling. Thesis thesis, 2020. https://digitalcommons.chapman.edu/film_studies_theses/11