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Chapman University

Inflicted Viewing: Examining Moral Masochism, Empathy, and the Frustration of Trauma Cinema

Abstract

dc:description.abstract

<p>The contemporary turn of psychoanalytic film analysis has opened a new mode of understanding cinematic language. However, rejecting classical psychoanalysis would be premature. This thesis will place the two in conjunction, specifically through Sigmund Freud’s conceptualization of moral masochism and Wilfred Bion’s theory of thinking. Through four films: <em>Una, The Tale, The Tribe</em>, and <em>Son of Saul</em> I explore the affective nature of films that depict trauma and why one would gravitate towards such upsetting material. The spectator who seeks to be frustrated is not looking to harm oneself but to process this frustration in order to expand their emotional experience.</p>

Degree

thesis:*
Name thesis:degree_name
Master of Arts (MA)
Level thesis:degree_level
Thesis
Discipline thesis:degree_discipline
Film Studies
Year
2019

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Smith, Kira
Contributors dc:contributor
  • Kelli Fuery
  • Ian Barnard
  • Patrick Fuery

Subjects

dc:subject × 6

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:digitalcommons.chapman.edu:film_studies_theses-1005

Chain of custody

source
Harvested from
Chapman University
Base URL
digitalcommons.chapman.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Smith, Kira. Inflicted Viewing: Examining Moral Masochism, Empathy, and the Frustration of Trauma Cinema. Thesis thesis, 2019. https://digitalcommons.chapman.edu/film_studies_theses/6