{"id":{"repo_id":"chapman","oai_identifier":"oai:digitalcommons.chapman.edu:english_theses-1070"},"canonical_url":"https://search.dev.ndltd.org/etd/chapman/oai:digitalcommons.chapman.edu:english_theses-1070","repository":{"repo_id":"chapman","name":"Chapman University","base_url":"https://digitalcommons.chapman.edu/do/oai/"},"display":{"title":"Mirroring Financial Speculation and Late Capitalism Through Speculative Fiction: Worker Gullibility and Guilt as Re-imagination of Human Value","abstract":"<p>Charles Yu’s short story “Standard Loneliness Package” from the speculative fiction collection Sorry Please Thank You features a worker who conforms to the cultural logic of Wall Street and late capitalism. However, the privilege of working in a tech company in an up-and-coming industry does not shield him from experiencing the oftentimes destructive logic of financial speculation and in-built structural inequalities. This paper makes a case that a tragedy could be read into this worker’s seemingly stable situation in a way that can uncover the character’s truly sorry state from his illusion of privilege and choice. But first, readers must read empathetically into the failures of this worker’s colleagues, demonstrating that to be aware of others is to be aware of oneself. Ultimately, reading this way will reveal that workers have value beyond the dominant logic of late capitalism and Wall Street. Tragedy becomes an organic narrative device for self-realization for the readers, suggesting in the power of literature and reading responsibly to humanize characters counter to their own consent to the uncritical logic and acceptance of late capitalism that shapes their reality. Literature then becomes a way to imagine and “speculate” alternatively on human value against the status quo in which financial speculation has been a capitalistic tool for instrumentalizing the future</p>","abstract_html":"&lt;p&gt;Charles Yu’s short story “Standard Loneliness Package” from the speculative fiction collection Sorry Please Thank You features a worker who conforms to the cultural logic of Wall Street and late capitalism. However, the privilege of working in a tech company in an up-and-coming industry does not shield him from experiencing the oftentimes destructive logic of financial speculation and in-built structural inequalities. This paper makes a case that a tragedy could be read into this worker’s seemingly stable situation in a way that can uncover the character’s truly sorry state from his illusion of privilege and choice. But first, readers must read empathetically into the failures of this worker’s colleagues, demonstrating that to be aware of others is to be aware of oneself. Ultimately, reading this way will reveal that workers have value beyond the dominant logic of late capitalism and Wall Street. Tragedy becomes an organic narrative device for self-realization for the readers, suggesting in the power of literature and reading responsibly to humanize characters counter to their own consent to the uncritical logic and acceptance of late capitalism that shapes their reality. Literature then becomes a way to imagine and “speculate” alternatively on human value against the status quo in which financial speculation has been a capitalistic tool for instrumentalizing the future&lt;/p&gt;","abstract_has_math":false,"creators":["Koh, Ian"],"institution":null,"degree_name":"Master of Arts (MA)","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Rei Magosaki, Ph.D.","Lynda Hall, Ph.D.","Justine Van Meter, Ph.D."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-12-01T08:00:00Z","date_published":"2023-12-01T08:00:00Z","updated_at":"2026-07-24T01:38:31Z","subjects":["Aimee Bahng","Karen Ho","Asian American Literature","Migrant","Financial Instruments","Globalization","Literature in English, North America, Ethnic and Cultural Minority"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.chapman.edu/english_theses/66","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Rei Magosaki, Ph.D.","Lynda Hall, Ph.D.","Justine Van Meter, Ph.D."]},{"key":"dc:creator","label":"Author","values":["Koh, Ian"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Aimee Bahng","Karen Ho","Asian American Literature","Migrant","Financial Instruments","Globalization","Literature in English, North America, Ethnic and Cultural Minority"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.chapman.edu/english_theses/66"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>Charles Yu’s short story “Standard Loneliness Package” from the speculative fiction collection Sorry Please Thank You features a worker who conforms to the cultural logic of Wall Street and late capitalism. However, the privilege of working in a tech company in an up-and-coming industry does not shield him from experiencing the oftentimes destructive logic of financial speculation and in-built structural inequalities. This paper makes a case that a tragedy could be read into this worker’s seemingly stable situation in a way that can uncover the character’s truly sorry state from his illusion of privilege and choice. But first, readers must read empathetically into the failures of this worker’s colleagues, demonstrating that to be aware of others is to be aware of oneself. Ultimately, reading this way will reveal that workers have value beyond the dominant logic of late capitalism and Wall Street. Tragedy becomes an organic narrative device for self-realization for the readers, suggesting in the power of literature and reading responsibly to humanize characters counter to their own consent to the uncritical logic and acceptance of late capitalism that shapes their reality. Literature then becomes a way to imagine and “speculate” alternatively on human value against the status quo in which financial speculation has been a capitalistic tool for instrumentalizing the future</p>"]},{"key":"dc:source","label":"Dc Source","values":["Koh, Ian Yi Heng. <em>Mirroring Financial Speculation and Late Capitalism Through Speculative Fiction: Worker Gullibility and Guilt as Re-imagination of Human Value</em>. 2023. Chapman University, MA Thesis. <em>Chapman University Digital Commons</em>, <a href=\"https://doi.org/10.36837/chapman.000511\">https://doi.org/10.36837/chapman.000511</a>"]},{"key":"dc:title","label":"Title","values":["Mirroring Financial Speculation and Late Capitalism Through Speculative Fiction: Worker Gullibility and Guilt as Re-imagination of Human Value"]}]}],"canonical_facts":{"dc:contributor":["Rei Magosaki, Ph.D.","Lynda Hall, Ph.D.","Justine Van Meter, Ph.D."],"dc:creator":["Koh, Ian"],"dc:description.abstract":["<p>Charles Yu’s short story “Standard Loneliness Package” from the speculative fiction collection Sorry Please Thank You features a worker who conforms to the cultural logic of Wall Street and late capitalism. However, the privilege of working in a tech company in an up-and-coming industry does not shield him from experiencing the oftentimes destructive logic of financial speculation and in-built structural inequalities. This paper makes a case that a tragedy could be read into this worker’s seemingly stable situation in a way that can uncover the character’s truly sorry state from his illusion of privilege and choice. But first, readers must read empathetically into the failures of this worker’s colleagues, demonstrating that to be aware of others is to be aware of oneself. Ultimately, reading this way will reveal that workers have value beyond the dominant logic of late capitalism and Wall Street. Tragedy becomes an organic narrative device for self-realization for the readers, suggesting in the power of literature and reading responsibly to humanize characters counter to their own consent to the uncritical logic and acceptance of late capitalism that shapes their reality. Literature then becomes a way to imagine and “speculate” alternatively on human value against the status quo in which financial speculation has been a capitalistic tool for instrumentalizing the future</p>"],"dc:identifier":["https://digitalcommons.chapman.edu/english_theses/66"],"dc:source":["Koh, Ian Yi Heng. <em>Mirroring Financial Speculation and Late Capitalism Through Speculative Fiction: Worker Gullibility and Guilt as Re-imagination of Human Value</em>. 2023. Chapman University, MA Thesis. <em>Chapman University Digital Commons</em>, <a href=\"https://doi.org/10.36837/chapman.000511\">https://doi.org/10.36837/chapman.000511</a>"],"dc:subject":["Aimee Bahng","Karen Ho","Asian American Literature","Migrant","Financial Instruments","Globalization","Literature in English, North America, Ethnic and Cultural Minority"],"dc:title":["Mirroring Financial Speculation and Late Capitalism Through Speculative Fiction: Worker Gullibility and Guilt as Re-imagination of Human Value"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts (MA)"]},"updated_at":"2026-07-24T01:38:31Z"}