{"id":{"repo_id":"chapman","oai_identifier":"oai:digitalcommons.chapman.edu:english_theses-1044"},"canonical_url":"https://search.dev.ndltd.org/etd/chapman/oai:digitalcommons.chapman.edu:english_theses-1044","repository":{"repo_id":"chapman","name":"Chapman University","base_url":"https://digitalcommons.chapman.edu/do/oai/"},"display":{"title":"Lack of Affirmative Consent: Trauma in Jhumpa Lahiri’s “Interpreter of Maladies”","abstract":"<p>Most scholars who have published analyses of the title story of Jhumpa Lahiri’s 1999 Pulitzer Prize-winning short story collection, <em>Interpreter of Maladies</em>, read Mina Das’s character as a woman who chose to be unfaithful to her husband with a friend who once stayed in their home, resulting in the conception of her second son, Bobby. This general consensus is likely influenced by how Mr. Kapasi, the story’s narrator and the tour guide in whom Mina confides her story, concludes that the “pain” Mina complains of is actually “guilt” (Lahiri 63). The work of Tzuhsiu Beryl Chiu, however, stands out among the scholarship as it suggests that Bobby’s conception was the result of a rape rather than infidelity and that Mina has thereby “experienced great trauma and suffered the unspeakable pain alone” (172). If Chiu’s reading contains some truth that Mina was raped, then Mina’s character, choices, and language would be highly effected by that event of trauma. This thesis uses literary trauma theory to explore that possibility and rediscover Mina Das not as a dissatisfied and unfaithful housewife, but as a woman who has perhaps experienced trauma in multiple contexts and finally finds a way to tell her own story. I explore how viewing Mina as a character informed by trauma can illuminate our understanding of her relationships with her parents, her husband, and her children. I also examine how Mr. Kapasi’s point of view and the brief section of omniscient narration seem to silence and distort Mina’s story, leaving space for this alternative interpretation. In a society becoming increasingly concerned with the definitions of consent, rape, sexual harassment, and abuse, the question of whether or not Mina Das was raped matters because our answer can represent how we interpret and value women’s stories of trauma and pain on a greater scale.</p>","abstract_html":"&lt;p&gt;Most scholars who have published analyses of the title story of Jhumpa Lahiri’s 1999 Pulitzer Prize-winning short story collection, &lt;em&gt;Interpreter of Maladies&lt;/em&gt;, read Mina Das’s character as a woman who chose to be unfaithful to her husband with a friend who once stayed in their home, resulting in the conception of her second son, Bobby. This general consensus is likely influenced by how Mr. Kapasi, the story’s narrator and the tour guide in whom Mina confides her story, concludes that the “pain” Mina complains of is actually “guilt” (Lahiri 63). The work of Tzuhsiu Beryl Chiu, however, stands out among the scholarship as it suggests that Bobby’s conception was the result of a rape rather than infidelity and that Mina has thereby “experienced great trauma and suffered the unspeakable pain alone” (172). If Chiu’s reading contains some truth that Mina was raped, then Mina’s character, choices, and language would be highly effected by that event of trauma. This thesis uses literary trauma theory to explore that possibility and rediscover Mina Das not as a dissatisfied and unfaithful housewife, but as a woman who has perhaps experienced trauma in multiple contexts and finally finds a way to tell her own story. I explore how viewing Mina as a character informed by trauma can illuminate our understanding of her relationships with her parents, her husband, and her children. I also examine how Mr. Kapasi’s point of view and the brief section of omniscient narration seem to silence and distort Mina’s story, leaving space for this alternative interpretation. In a society becoming increasingly concerned with the definitions of consent, rape, sexual harassment, and abuse, the question of whether or not Mina Das was raped matters because our answer can represent how we interpret and value women’s stories of trauma and pain on a greater scale.&lt;/p&gt;","abstract_has_math":false,"creators":["Morrison, Ansalee"],"institution":null,"degree_name":"Master of Arts (MA)","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Joanna Levin","Justine Van Meter","Rei Magosaki"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2022,"date_issued":"2022-05-01T07:00:00Z","date_published":"2022-05-01T07:00:00Z","updated_at":"2026-07-24T01:38:24Z","subjects":["trauma theory","female trauma","rape","Mina Das","consent","sexual trauma","Literature in English, Anglophone outside British Isles and North America","Literature in English, North America, Ethnic and Cultural Minority"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.chapman.edu/english_theses/42","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Joanna Levin","Justine Van Meter","Rei Magosaki"]},{"key":"dc:creator","label":"Author","values":["Morrison, Ansalee"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2024-01-01T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["trauma theory","female trauma","rape","Mina Das","consent","sexual trauma","Literature in English, Anglophone outside British Isles and North America","Literature in English, North America, Ethnic and Cultural Minority"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.chapman.edu/english_theses/42"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>Most scholars who have published analyses of the title story of Jhumpa Lahiri’s 1999 Pulitzer Prize-winning short story collection, <em>Interpreter of Maladies</em>, read Mina Das’s character as a woman who chose to be unfaithful to her husband with a friend who once stayed in their home, resulting in the conception of her second son, Bobby. This general consensus is likely influenced by how Mr. Kapasi, the story’s narrator and the tour guide in whom Mina confides her story, concludes that the “pain” Mina complains of is actually “guilt” (Lahiri 63). The work of Tzuhsiu Beryl Chiu, however, stands out among the scholarship as it suggests that Bobby’s conception was the result of a rape rather than infidelity and that Mina has thereby “experienced great trauma and suffered the unspeakable pain alone” (172). If Chiu’s reading contains some truth that Mina was raped, then Mina’s character, choices, and language would be highly effected by that event of trauma. This thesis uses literary trauma theory to explore that possibility and rediscover Mina Das not as a dissatisfied and unfaithful housewife, but as a woman who has perhaps experienced trauma in multiple contexts and finally finds a way to tell her own story. I explore how viewing Mina as a character informed by trauma can illuminate our understanding of her relationships with her parents, her husband, and her children. I also examine how Mr. Kapasi’s point of view and the brief section of omniscient narration seem to silence and distort Mina’s story, leaving space for this alternative interpretation. In a society becoming increasingly concerned with the definitions of consent, rape, sexual harassment, and abuse, the question of whether or not Mina Das was raped matters because our answer can represent how we interpret and value women’s stories of trauma and pain on a greater scale.</p>"]},{"key":"dc:source","label":"Dc Source","values":["Morrison, Ansalee. <em>Lack of Affirmative Consent: Trauma in Jhumpa Lahiri’s \"Interpreter of Maladies\"</em>. 2022. Chapman University, MA Thesis. <em>Chapman University Digital Commons</em>, <a href=\"https://doi.org/10.36837/chapman.000326\">https://doi.org/10.36837/chapman.000326</a>"]},{"key":"dc:title","label":"Title","values":["Lack of Affirmative Consent: Trauma in Jhumpa Lahiri’s “Interpreter of Maladies”"]}]}],"canonical_facts":{"dc:contributor":["Joanna Levin","Justine Van Meter","Rei Magosaki"],"dc:creator":["Morrison, Ansalee"],"dc:date.available":["2024-01-01T08:00:00Z"],"dc:description.abstract":["<p>Most scholars who have published analyses of the title story of Jhumpa Lahiri’s 1999 Pulitzer Prize-winning short story collection, <em>Interpreter of Maladies</em>, read Mina Das’s character as a woman who chose to be unfaithful to her husband with a friend who once stayed in their home, resulting in the conception of her second son, Bobby. This general consensus is likely influenced by how Mr. Kapasi, the story’s narrator and the tour guide in whom Mina confides her story, concludes that the “pain” Mina complains of is actually “guilt” (Lahiri 63). The work of Tzuhsiu Beryl Chiu, however, stands out among the scholarship as it suggests that Bobby’s conception was the result of a rape rather than infidelity and that Mina has thereby “experienced great trauma and suffered the unspeakable pain alone” (172). If Chiu’s reading contains some truth that Mina was raped, then Mina’s character, choices, and language would be highly effected by that event of trauma. This thesis uses literary trauma theory to explore that possibility and rediscover Mina Das not as a dissatisfied and unfaithful housewife, but as a woman who has perhaps experienced trauma in multiple contexts and finally finds a way to tell her own story. I explore how viewing Mina as a character informed by trauma can illuminate our understanding of her relationships with her parents, her husband, and her children. I also examine how Mr. Kapasi’s point of view and the brief section of omniscient narration seem to silence and distort Mina’s story, leaving space for this alternative interpretation. In a society becoming increasingly concerned with the definitions of consent, rape, sexual harassment, and abuse, the question of whether or not Mina Das was raped matters because our answer can represent how we interpret and value women’s stories of trauma and pain on a greater scale.</p>"],"dc:identifier":["https://digitalcommons.chapman.edu/english_theses/42"],"dc:source":["Morrison, Ansalee. <em>Lack of Affirmative Consent: Trauma in Jhumpa Lahiri’s \"Interpreter of Maladies\"</em>. 2022. Chapman University, MA Thesis. <em>Chapman University Digital Commons</em>, <a href=\"https://doi.org/10.36837/chapman.000326\">https://doi.org/10.36837/chapman.000326</a>"],"dc:subject":["trauma theory","female trauma","rape","Mina Das","consent","sexual trauma","Literature in English, Anglophone outside British Isles and North America","Literature in English, North America, Ethnic and Cultural Minority"],"dc:title":["Lack of Affirmative Consent: Trauma in Jhumpa Lahiri’s “Interpreter of Maladies”"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts (MA)"]},"updated_at":"2026-07-24T01:38:24Z"}