What I have attempted in this thesis is first to let go of the gaze that accompanies the myth and expectations of African literature and secondly and most importantly, to claim and make of the craft a space of freedom, devoid of any burdens or preassigned symbolic representation— a space where writing, rather than conditioned and shaped by several factors, comes alive from an intensely intimate devotion to unrestrained, uncompromised, outpouring vibrant living and witnessing.
For the possible relevancy and potential contribution of this work to cultural and contemporary art, I look to notable African writers like Chigozie Obioma, Tsitsi Dangarembga, Chimamanda Adichie, among others, whose stories continue to shape the context of African literature and affirm its relevance. My work is inflected by the style and intention of these writers—the nationalistic rhetoric; the kind of prose that is faithful to the sense of belonging, even if a haunted and painful one; essential stories of unchartered depths; and ultimately the insistence on telling stories that humanize, preserve and resist the legacy of myths.
","abstract_html":"<p>What I have attempted in this thesis is first to let go of the gaze that accompanies the myth and expectations of African literature and secondly and most importantly, to claim and make of the craft a space of freedom, devoid of any burdens or preassigned symbolic representation— a space where writing, rather than conditioned and shaped by several factors, comes alive from an intensely intimate devotion to unrestrained, uncompromised, outpouring vibrant living and witnessing.</p> <p>For the possible relevancy and potential contribution of this work to cultural and contemporary art, I look to notable African writers like Chigozie Obioma, Tsitsi Dangarembga, Chimamanda Adichie, among others, whose stories continue to shape the context of African literature and affirm its relevance. My work is inflected by the style and intention of these writers—the nationalistic rhetoric; the kind of prose that is faithful to the sense of belonging, even if a haunted and painful one; essential stories of unchartered depths; and ultimately the insistence on telling stories that humanize, preserve and resist the legacy of myths.</p>","abstract_has_math":false,"creators":["Yeboah, Tryphena"],"institution":null,"degree_name":"Master of Fine Arts (MFA)","degree_level":"Thesis","degree_discipline":"Creative Writing","degree_department":null,"school":null,"contributors":["Richard Bausch","James Blaylock","Dr. Anna Leahy"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2021,"date_issued":"2021-05-01T07:00:00Z","date_published":"2021-05-01T07:00:00Z","updated_at":"2026-07-24T01:38:16Z","subjects":["Ghanaian culture","African literature","human condition","Arts and Humanities","Creative Writing","Fiction"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.chapman.edu/creative_writing_theses/48","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Richard Bausch","James Blaylock","Dr. Anna Leahy"]},{"key":"dc:creator","label":"Author","values":["Yeboah, Tryphena"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Creative Writing"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts (MFA)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Ghanaian culture","African literature","human condition","Arts and Humanities","Creative Writing","Fiction"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.chapman.edu/creative_writing_theses/48"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["What I have attempted in this thesis is first to let go of the gaze that accompanies the myth and expectations of African literature and secondly and most importantly, to claim and make of the craft a space of freedom, devoid of any burdens or preassigned symbolic representation— a space where writing, rather than conditioned and shaped by several factors, comes alive from an intensely intimate devotion to unrestrained, uncompromised, outpouring vibrant living and witnessing.
For the possible relevancy and potential contribution of this work to cultural and contemporary art, I look to notable African writers like Chigozie Obioma, Tsitsi Dangarembga, Chimamanda Adichie, among others, whose stories continue to shape the context of African literature and affirm its relevance. My work is inflected by the style and intention of these writers—the nationalistic rhetoric; the kind of prose that is faithful to the sense of belonging, even if a haunted and painful one; essential stories of unchartered depths; and ultimately the insistence on telling stories that humanize, preserve and resist the legacy of myths.
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For the possible relevancy and potential contribution of this work to cultural and contemporary art, I look to notable African writers like Chigozie Obioma, Tsitsi Dangarembga, Chimamanda Adichie, among others, whose stories continue to shape the context of African literature and affirm its relevance. My work is inflected by the style and intention of these writers—the nationalistic rhetoric; the kind of prose that is faithful to the sense of belonging, even if a haunted and painful one; essential stories of unchartered depths; and ultimately the insistence on telling stories that humanize, preserve and resist the legacy of myths.
"],"dc:identifier":["https://digitalcommons.chapman.edu/creative_writing_theses/48"],"dc:source":["Yeboah, Tryphena. First Light. 2021. Chapman University, MFA Thesis. Chapman University Digital Commons, https://doi.org/10.36837/chapman.000247"],"dc:subject":["Ghanaian culture","African literature","human condition","Arts and Humanities","Creative Writing","Fiction"],"dc:title":["First Light"],"thesis:degree_discipline":["Creative Writing"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Fine Arts (MFA)"]},"updated_at":"2026-07-24T01:38:16Z"}