{"id":{"repo_id":"central-wash","oai_identifier":"oai:digitalcommons.cwu.edu:etd-2548"},"canonical_url":"https://search.dev.ndltd.org/etd/central-wash/oai:digitalcommons.cwu.edu:etd-2548","repository":{"repo_id":"central-wash","name":"Central Washington University","base_url":"https://digitalcommons.cwu.edu/do/oai/"},"display":{"title":"Visions Infernales: Characteristics of Style and Interpretation","abstract":"Visions Infernales by the French composer Henri Sauguet is a song cycle for the bass voice with piano accompaniment set to a text by the twentieth-century poet, }fax Jacob. This composition, published in France in 1950, is contemporary in style with considerable dissonance, and therefore is probably not well known in this country. However, student and professional should become more familiar with the style characteristics and performance of modern repertoire.","abstract_html":"Visions Infernales by the French composer Henri Sauguet is a song cycle for the bass voice with piano accompaniment set to a text by the twentieth-century poet, }fax Jacob. This composition, published in France in 1950, is contemporary in style with considerable dissonance, and therefore is probably not well known in this country. However, student and professional should become more familiar with the style characteristics and performance of modern repertoire.","abstract_has_math":false,"creators":["Skipworth, George F."],"institution":null,"degree_name":"Master of Arts (MA)","degree_level":null,"degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Joseph S. Haruda","Lynn B. Dupin","John DeMerchant"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1970,"date_issued":"1970-05-01T07:00:00Z","date_published":"1970-05-01T07:00:00Z","updated_at":"2026-07-24T01:37:54Z","subjects":["music performance","Henri Sauguet","upright bass","orchestra","max jacob","recital","Music","Music Education"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.cwu.edu/etd/1523","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Joseph S. Haruda","Lynn B. Dupin","John DeMerchant"]},{"key":"dc:creator","label":"Author","values":["Skipworth, George F."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:type","label":"Dc Type","values":["Text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["music performance","Henri Sauguet","upright bass","orchestra","max jacob","recital","Music","Music Education"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.cwu.edu/etd/1523"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Visions Infernales by the French composer Henri Sauguet is a song cycle for the bass voice with piano accompaniment set to a text by the twentieth-century poet, }fax Jacob. This composition, published in France in 1950, is contemporary in style with considerable dissonance, and therefore is probably not well known in this country. However, student and professional should become more familiar with the style characteristics and performance of modern repertoire."]},{"key":"dc:title","label":"Title","values":["Visions Infernales: Characteristics of Style and Interpretation"]}]}],"canonical_facts":{"dc:contributor":["Joseph S. Haruda","Lynn B. Dupin","John DeMerchant"],"dc:creator":["Skipworth, George F."],"dc:description.abstract":["Visions Infernales by the French composer Henri Sauguet is a song cycle for the bass voice with piano accompaniment set to a text by the twentieth-century poet, }fax Jacob. This composition, published in France in 1950, is contemporary in style with considerable dissonance, and therefore is probably not well known in this country. However, student and professional should become more familiar with the style characteristics and performance of modern repertoire."],"dc:identifier":["https://digitalcommons.cwu.edu/etd/1523"],"dc:subject":["music performance","Henri Sauguet","upright bass","orchestra","max jacob","recital","Music","Music Education"],"dc:title":["Visions Infernales: Characteristics of Style and Interpretation"],"dc:type":["Text"],"thesis:degree_discipline":["Music"],"thesis:degree_name":["Master of Arts (MA)"]},"updated_at":"2026-07-24T01:37:54Z"}