{"id":{"repo_id":"central-wash","oai_identifier":"oai:digitalcommons.cwu.edu:etd-1985"},"canonical_url":"https://search.dev.ndltd.org/etd/central-wash/oai:digitalcommons.cwu.edu:etd-1985","repository":{"repo_id":"central-wash","name":"Central Washington University","base_url":"https://digitalcommons.cwu.edu/do/oai/"},"display":{"title":"An Historical Study of the Solo Concerto Cadenza","abstract":"The study of the solo concerto cadenza is one that encompasses the areas of performance, history and theory. Even though the cadenza occupies a small place in the total music literature, it is a sort of microcosm of music. It would be impossible to make a study of the cadenza without completely understanding the concerto and related forms of music. An historical study such as this can lead to deeper understanding of the music to be performed.","abstract_html":"The study of the solo concerto cadenza is one that encompasses the areas of performance, history and theory. Even though the cadenza occupies a small place in the total music literature, it is a sort of microcosm of music. It would be impossible to make a study of the cadenza without completely understanding the concerto and related forms of music. An historical study such as this can lead to deeper understanding of the music to be performed.","abstract_has_math":false,"creators":["Rydman, Toni Christine"],"institution":null,"degree_name":"Master of Arts (MA)","degree_level":null,"degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Robert M. Panerio","Albin Bert Christianson","Herbert A. Bird"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1968,"date_issued":"1968-08-01T07:00:00Z","date_published":"1968-08-01T07:00:00Z","updated_at":"2026-07-24T01:37:23Z","subjects":["Music","Concerto","Arts and Humanities","Music Education","Music Performance","Music Theory"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.cwu.edu/etd/970","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Robert M. Panerio","Albin Bert Christianson","Herbert A. Bird"]},{"key":"dc:creator","label":"Author","values":["Rydman, Toni Christine"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:type","label":"Dc Type","values":["Text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music","Concerto","Arts and Humanities","Music Education","Music Performance","Music Theory"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.cwu.edu/etd/970"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The study of the solo concerto cadenza is one that encompasses the areas of performance, history and theory. Even though the cadenza occupies a small place in the total music literature, it is a sort of microcosm of music. It would be impossible to make a study of the cadenza without completely understanding the concerto and related forms of music. An historical study such as this can lead to deeper understanding of the music to be performed."]},{"key":"dc:title","label":"Title","values":["An Historical Study of the Solo Concerto Cadenza"]}]}],"canonical_facts":{"dc:contributor":["Robert M. Panerio","Albin Bert Christianson","Herbert A. Bird"],"dc:creator":["Rydman, Toni Christine"],"dc:description.abstract":["The study of the solo concerto cadenza is one that encompasses the areas of performance, history and theory. Even though the cadenza occupies a small place in the total music literature, it is a sort of microcosm of music. It would be impossible to make a study of the cadenza without completely understanding the concerto and related forms of music. An historical study such as this can lead to deeper understanding of the music to be performed."],"dc:identifier":["https://digitalcommons.cwu.edu/etd/970"],"dc:language":["English"],"dc:subject":["Music","Concerto","Arts and Humanities","Music Education","Music Performance","Music Theory"],"dc:title":["An Historical Study of the Solo Concerto Cadenza"],"dc:type":["Text"],"thesis:degree_discipline":["Music"],"thesis:degree_name":["Master of Arts (MA)"]},"updated_at":"2026-07-24T01:37:23Z"}