{"id":{"repo_id":"central-wash","oai_identifier":"oai:digitalcommons.cwu.edu:etd-1981"},"canonical_url":"https://search.dev.ndltd.org/etd/central-wash/oai:digitalcommons.cwu.edu:etd-1981","repository":{"repo_id":"central-wash","name":"Central Washington University","base_url":"https://digitalcommons.cwu.edu/do/oai/"},"display":{"title":"Beethoven’s an die Ferne Geliebte","abstract":"Beethoven has often been accused of writing vocal music which exceeds some normal limitations of the voice. Such unfortunate accusations result in many singers avoiding his vocal music. Through means of historical evidence presented in this paper, through an examination of An die ferne Geliebte and its performance, the writer hopes to dispel some of this misunderstanding of Beethoven's vocal music.","abstract_html":"Beethoven has often been accused of writing vocal music which exceeds some normal limitations of the voice. Such unfortunate accusations result in many singers avoiding his vocal music. Through means of historical evidence presented in this paper, through an examination of An die ferne Geliebte and its performance, the writer hopes to dispel some of this misunderstanding of Beethoven's vocal music.","abstract_has_math":false,"creators":["Piersall, Paul R."],"institution":null,"degree_name":"Master of Arts (MA)","degree_level":null,"degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Joseph S. Haruda","John W. DeMerchant","E. Gordon Leavitt"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1968,"date_issued":"1968-05-01T07:00:00Z","date_published":"1968-05-01T07:00:00Z","updated_at":"2026-07-24T01:37:23Z","subjects":["Music","Song cycles","Arts in higher education","Music--Performance","Arts and Humanities","Composition","Music Education","Music Performance"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.cwu.edu/etd/966","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Joseph S. Haruda","John W. DeMerchant","E. Gordon Leavitt"]},{"key":"dc:creator","label":"Author","values":["Piersall, Paul R."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:type","label":"Dc Type","values":["Text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music","Song cycles","Arts in higher education","Music--Performance","Arts and Humanities","Composition","Music Education","Music Performance"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.cwu.edu/etd/966"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Beethoven has often been accused of writing vocal music which exceeds some normal limitations of the voice. Such unfortunate accusations result in many singers avoiding his vocal music. Through means of historical evidence presented in this paper, through an examination of An die ferne Geliebte and its performance, the writer hopes to dispel some of this misunderstanding of Beethoven's vocal music."]},{"key":"dc:title","label":"Title","values":["Beethoven’s an die Ferne Geliebte"]}]}],"canonical_facts":{"dc:contributor":["Joseph S. Haruda","John W. DeMerchant","E. Gordon Leavitt"],"dc:creator":["Piersall, Paul R."],"dc:description.abstract":["Beethoven has often been accused of writing vocal music which exceeds some normal limitations of the voice. Such unfortunate accusations result in many singers avoiding his vocal music. Through means of historical evidence presented in this paper, through an examination of An die ferne Geliebte and its performance, the writer hopes to dispel some of this misunderstanding of Beethoven's vocal music."],"dc:identifier":["https://digitalcommons.cwu.edu/etd/966"],"dc:language":["English"],"dc:subject":["Music","Song cycles","Arts in higher education","Music--Performance","Arts and Humanities","Composition","Music Education","Music Performance"],"dc:title":["Beethoven’s an die Ferne Geliebte"],"dc:type":["Text"],"thesis:degree_discipline":["Music"],"thesis:degree_name":["Master of Arts (MA)"]},"updated_at":"2026-07-24T01:37:23Z"}