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Central Washington University
The Origin and Development of the Italian Aria in the Baroque Period
Abstract
dc:description.abstractThe purpose of this paper is to study and identify the pertinent factors that established the operatic aria as a vocal solo form, to discover how these factors were applied and developed by the various composers of the Baroque period, and to gain a perspective of its historical value in music.
Degree
thesis:*- Name thesis:degree_name
- Master of Education (MEd)
- Discipline thesis:degree_discipline
- Education
- Year
- 1964
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Houser, Richard M.
- Contributors dc:contributor
-
- Wayne Hertz
- J. Haurda
- Maurice L. Pettit
Subjects
dc:subject × 4Rights
- Language dc:language
- English
Identifiers
dc:identifier.*- Repository record dc:identifier
- https://digitalcommons.cwu.edu/etd/402
- OAI identifier oai:identifier
- oai:digitalcommons.cwu.edu:etd-1415