{"id":{"repo_id":"central-wash","oai_identifier":"oai:digitalcommons.cwu.edu:etd-1226"},"canonical_url":"https://search.dev.ndltd.org/etd/central-wash/oai:digitalcommons.cwu.edu:etd-1226","repository":{"repo_id":"central-wash","name":"Central Washington University","base_url":"https://digitalcommons.cwu.edu/do/oai/"},"display":{"title":"Anarchist Strategy and Visual Rhetoric in Brazil, 1970: The Living Theatre as “The People in the Street”","abstract":"The dominant narrative of the Living Theatre, an anarchist-pacifist, activist performance group, situates the company within a historical framework of the \"New Left\". Implications of this strategy are identified and critiqued. Both due to the simplification of historical time periods between the fields of theatre and politics, or \"periodization\" (Postlewait), and because of the ways in which the \"New Left\" is identified as overtly American in much theatre scholarship, historicizing the Living Theatre as \"in-line\" with the New Left has resulted in the erasure of the Living Theatre's founding philosophies of anarchism and pacifism. The visual implications of these findings are discussed in the theatre's advertising campaign for a 1971 lecture tour titled, \"Theatre and the Revolution\". Although a project engaged in marketing revolutionary ideas, these posters drew their image vocabulary from imaging strategies on the more far-radical left, such as Mao, Guevara, and Stalin. Visual-rhetorical strategy during this time period is compared across two advertising images.","abstract_html":"The dominant narrative of the Living Theatre, an anarchist-pacifist, activist performance group, situates the company within a historical framework of the "New Left". Implications of this strategy are identified and critiqued. Both due to the simplification of historical time periods between the fields of theatre and politics, or "periodization" (Postlewait), and because of the ways in which the "New Left" is identified as overtly American in much theatre scholarship, historicizing the Living Theatre as "in-line" with the New Left has resulted in the erasure of the Living Theatre's founding philosophies of anarchism and pacifism. The visual implications of these findings are discussed in the theatre's advertising campaign for a 1971 lecture tour titled, "Theatre and the Revolution". Although a project engaged in marketing revolutionary ideas, these posters drew their image vocabulary from imaging strategies on the more far-radical left, such as Mao, Guevara, and Stalin. Visual-rhetorical strategy during this time period is compared across two advertising images.","abstract_has_math":false,"creators":["Roberts, Chelsea R."],"institution":null,"degree_name":"Master of Arts (MA)","degree_level":null,"degree_discipline":"Theatre Studies","degree_department":null,"school":null,"contributors":["John A. Ball","Lene Pedersen","Scott Robinson"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-01-01T08:00:00Z","date_published":"2015-01-01T08:00:00Z","updated_at":"2026-07-24T01:36:42Z","subjects":["Brazil","Living Theatre","Anarchism","Theatrical Advertisement","Advertising and Promotion Management","Art and Materials Conservation","Dramatic Literature, Criticism and Theory","Latin American History","Political History","Theatre History"],"languages":["English"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.cwu.edu/etd/225","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["John A. 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Implications of this strategy are identified and critiqued. Both due to the simplification of historical time periods between the fields of theatre and politics, or \"periodization\" (Postlewait), and because of the ways in which the \"New Left\" is identified as overtly American in much theatre scholarship, historicizing the Living Theatre as \"in-line\" with the New Left has resulted in the erasure of the Living Theatre's founding philosophies of anarchism and pacifism. The visual implications of these findings are discussed in the theatre's advertising campaign for a 1971 lecture tour titled, \"Theatre and the Revolution\". Although a project engaged in marketing revolutionary ideas, these posters drew their image vocabulary from imaging strategies on the more far-radical left, such as Mao, Guevara, and Stalin. Visual-rhetorical strategy during this time period is compared across two advertising images."]},{"key":"dc:title","label":"Title","values":["Anarchist Strategy and Visual Rhetoric in Brazil, 1970: The Living Theatre as “The People in the Street”"]}]}],"canonical_facts":{"dc:contributor":["John A. Ball","Lene Pedersen","Scott Robinson"],"dc:creator":["Roberts, Chelsea R."],"dc:date.available":["2018-09-01T07:00:00Z"],"dc:description.abstract":["The dominant narrative of the Living Theatre, an anarchist-pacifist, activist performance group, situates the company within a historical framework of the \"New Left\". Implications of this strategy are identified and critiqued. Both due to the simplification of historical time periods between the fields of theatre and politics, or \"periodization\" (Postlewait), and because of the ways in which the \"New Left\" is identified as overtly American in much theatre scholarship, historicizing the Living Theatre as \"in-line\" with the New Left has resulted in the erasure of the Living Theatre's founding philosophies of anarchism and pacifism. The visual implications of these findings are discussed in the theatre's advertising campaign for a 1971 lecture tour titled, \"Theatre and the Revolution\". Although a project engaged in marketing revolutionary ideas, these posters drew their image vocabulary from imaging strategies on the more far-radical left, such as Mao, Guevara, and Stalin. Visual-rhetorical strategy during this time period is compared across two advertising images."],"dc:identifier":["https://digitalcommons.cwu.edu/etd/225"],"dc:language":["English"],"dc:subject":["Brazil","Living Theatre","Anarchism","Theatrical Advertisement","Advertising and Promotion Management","Art and Materials Conservation","Dramatic Literature, Criticism and Theory","Latin American History","Political History","Theatre History"],"dc:title":["Anarchist Strategy and Visual Rhetoric in Brazil, 1970: The Living Theatre as “The People in the Street”"],"dc:type":["Text"],"thesis:degree_discipline":["Theatre Studies"],"thesis:degree_name":["Master of Arts (MA)"]},"updated_at":"2026-07-24T01:36:42Z"}