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The repertoire seems to be maintained through a delicate balance between techniques of ‘reception’, ‘safeguarding’, and ‘re-byzantinisation’ that characterise both its present oral chant administration and its historical development, and function as marker of identity among the Arbëreshe community in Sicily. The Byzantine chant heritage in Sicily is not an inflexible and static musical tradition, but it envisages a dynamic mode of existence, susceptible to changes, and maintained by interior principles of organisation. After five centuries of oral transmission it still lives, despite, or maybe thanks to the lack of ‘original’ written sources, and it might be seen as a multi-layered musical tradition, featuring multiple versions and encompassing a certain degree of melodic heterogeneity.","abstract_html":"Historical ethnomusicological study on the liturgical chant tradition of the Arbëreshe communities in Sicily on the basis of oral and written sources. The musical repertoire has been cultivated by priests and faithful adhering to the Byzantine rite since the time of the Albanian diaspora in Italy in the aftermath of the Fall of Constantinople. The repertoire seems to be maintained through a delicate balance between techniques of ‘reception’, ‘safeguarding’, and ‘re-byzantinisation’ that characterise both its present oral chant administration and its historical development, and function as marker of identity among the Arbëreshe community in Sicily. The Byzantine chant heritage in Sicily is not an inflexible and static musical tradition, but it envisages a dynamic mode of existence, susceptible to changes, and maintained by interior principles of organisation. After five centuries of oral transmission it still lives, despite, or maybe thanks to the lack of ‘original’ written sources, and it might be seen as a multi-layered musical tradition, featuring multiple versions and encompassing a certain degree of melodic heterogeneity.","abstract_has_math":false,"creators":["SANFRATELLO, GIUSEPPE"],"institution":"Università degli studi di Catania","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Troelsgård, Christian"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2017,"date_issued":"2017-11-16","date_published":"2017-11-16","updated_at":"2026-07-24T01:34:49Z","subjects":["Byzantine chant, Arbëreshe communities, ethnomusicology, oral transmission, liturgical tradition, cultural identity","Settore L-ART/07 - Musicologia e Storia della Musica","Settore PEMM-01/C - Musicologia e storia della musica"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://www.webshophum-en.ku.dk/shop/giuseppe-sanfratello-2429p.html"],"render_values":[{"text":"https://www.webshophum-en.ku.dk/shop/giuseppe-sanfratello-2429p.html","href":"https://www.webshophum-en.ku.dk/shop/giuseppe-sanfratello-2429p.html","code":true}]}]},"links":{"outbound_url":"https://hdl.handle.net/20.500.11769/696149","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Troelsgård, Christian","Sanfratello, Giuseppe"]},{"key":"dc:creator","label":"Author","values":["SANFRATELLO, GIUSEPPE"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2017-11-16"]},{"key":"dc:publisher","label":"Institution","values":["Università degli studi di Catania","place:Copenaghen"]},{"key":"dc:relation","label":"Dc Relation","values":["alleditors:Troelsgård, Christian"]},{"key":"dc:type","label":"Dc Type","values":["info:eu-repo/semantics/doctoralThesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Byzantine chant, Arbëreshe communities, ethnomusicology, oral transmission, liturgical tradition, cultural identity","Settore L-ART/07 - Musicologia e Storia della Musica","Settore PEMM-01/C - Musicologia e storia della musica"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/20.500.11769/696149","https://www.webshophum-en.ku.dk/shop/giuseppe-sanfratello-2429p.html"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Historical ethnomusicological study on the liturgical chant tradition of the Arbëreshe communities in Sicily on the basis of oral and written sources. The musical repertoire has been cultivated by priests and faithful adhering to the Byzantine rite since the time of the Albanian diaspora in Italy in the aftermath of the Fall of Constantinople. The repertoire seems to be maintained through a delicate balance between techniques of ‘reception’, ‘safeguarding’, and ‘re-byzantinisation’ that characterise both its present oral chant administration and its historical development, and function as marker of identity among the Arbëreshe community in Sicily. The Byzantine chant heritage in Sicily is not an inflexible and static musical tradition, but it envisages a dynamic mode of existence, susceptible to changes, and maintained by interior principles of organisation. After five centuries of oral transmission it still lives, despite, or maybe thanks to the lack of ‘original’ written sources, and it might be seen as a multi-layered musical tradition, featuring multiple versions and encompassing a certain degree of melodic heterogeneity."]},{"key":"dc:title","label":"Title","values":["The Byzantine Chant Heritage in Sicily. Dynamics of oral transmission, musical heterogeneity, techniques of safeguarding"]}]}],"canonical_facts":{"dc:contributor":["Troelsgård, Christian","Sanfratello, Giuseppe"],"dc:creator":["SANFRATELLO, GIUSEPPE"],"dc:date":["2017-11-16"],"dc:description":["Historical ethnomusicological study on the liturgical chant tradition of the Arbëreshe communities in Sicily on the basis of oral and written sources. The musical repertoire has been cultivated by priests and faithful adhering to the Byzantine rite since the time of the Albanian diaspora in Italy in the aftermath of the Fall of Constantinople. 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