{"id":{"repo_id":"catania","oai_identifier":"oai:www.iris.unict.it:20.500.11769/585410"},"canonical_url":"https://search.dev.ndltd.org/etd/catania/oai:www.iris.unict.it:20.500.11769/585410","repository":{"repo_id":"catania","name":"Università degli Studi di Catania","base_url":"https://www.iris.unict.it/oai/request"},"display":{"title":"Il museo: dallo spettacolo allo spettatore. Dispositivi, Sguardi, Strategie","abstract":"Museum space has traditionally been a physical space, but also a relationship space, the place for the aesthetic and sensible experience to be held. At the level of expression, museum physical space has traditionally been characterized by three essential components: people, their movement space, and the things space. At the level of content, only visitor s actions. The space takes also its meaning from its relationship with the use being made, which is very often rigidly attached to the text; from the white cube to the dark box, the museum seems to always need a frame. The current research project aims to analyze the typology of the intended and prefigured use by the organization of museum space and spectacle. Keywords: museum, semiotic, experience spaces, spectacle, transdisciplinary perspective","abstract_html":"Museum space has traditionally been a physical space, but also a relationship space, the place for the aesthetic and sensible experience to be held. At the level of expression, museum physical space has traditionally been characterized by three essential components: people, their movement space, and the things space. At the level of content, only visitor s actions. The space takes also its meaning from its relationship with the use being made, which is very often rigidly attached to the text; from the white cube to the dark box, the museum seems to always need a frame. The current research project aims to analyze the typology of the intended and prefigured use by the organization of museum space and spectacle. Keywords: museum, semiotic, experience spaces, spectacle, transdisciplinary perspective","abstract_has_math":false,"creators":["ALBERGAMO, MARIA"],"institution":"Università degli studi di Catania","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["STRANO, CARMELO"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-12-10","date_published":"2011-12-10","updated_at":"2026-07-24T01:35:06Z","subjects":["museum, semiotic, experience spaces, spectacle, transdisciplinary perspective"],"languages":["ita"],"rights":["info:eu-repo/semantics/openAccess","license:PUBBLICO - Pubblico con Copyright","license uri:iris.PUB02"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/20.500.11769/585410","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Albergamo, Maria","STRANO, CARMELO"]},{"key":"dc:creator","label":"Author","values":["ALBERGAMO, MARIA"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2011-12-10"]},{"key":"dc:publisher","label":"Institution","values":["Università degli studi di Catania","place:Catania"]},{"key":"dc:type","label":"Dc Type","values":["info:eu-repo/semantics/doctoralThesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["museum, semiotic, experience spaces, spectacle, transdisciplinary perspective"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["ita"]},{"key":"dc:rights","label":"Dc Rights","values":["info:eu-repo/semantics/openAccess","license:PUBBLICO - Pubblico con Copyright","license uri:iris.PUB02"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://hdl.handle.net/20.500.11769/585410"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Museum space has traditionally been a physical space, but also a relationship space, the place for the aesthetic and sensible experience to be held. At the level of expression, museum physical space has traditionally been characterized by three essential components: people, their movement space, and the things space. At the level of content, only visitor s actions. The space takes also its meaning from its relationship with the use being made, which is very often rigidly attached to the text; from the white cube to the dark box, the museum seems to always need a frame. The current research project aims to analyze the typology of the intended and prefigured use by the organization of museum space and spectacle. Keywords: museum, semiotic, experience spaces, spectacle, transdisciplinary perspective","Tradicionalmente el espacio museal es uno espacio fisico, pero también uno espacio de relacion, el lugar de la experencia estetica y sensibile. En el plano de la expression el espacio fisico del museo se caracteriza, tradicionalmente, por tres componentes principales: personas, espacios de su movimento y espacios de las cosas y en el plano del contenido solamente las aciones de los visitantes. Uno espacio no puede existir sin las praticas que tienen lugar en sí mismo, si el espacio toma el proprio sentido solamente por l uso, no podemos separar entonces el elemento espacial da elemento del actor. Tambien, el espacio toma su sentido por la relacion con el uso que se haga, que a menudo esta rígidamente inscritos en el texto; desde el cubo blanco hasta a la scatola negra aparece che el espacio museal necessita siempre di un frame. El presente proyecto tiene como objetivo analizar la tipologia del uso previsto y prefigurada por la organización del espacio museal y del espectaculo. Palabras claves: museo, semiótica, experiencia, espacio, espectaculo, prospetctiva intradisciplinaria"]},{"key":"dc:title","label":"Title","values":["Il museo: dallo spettacolo allo spettatore. Dispositivi, Sguardi, Strategie"]}]}],"canonical_facts":{"dc:contributor":["Albergamo, Maria","STRANO, CARMELO"],"dc:creator":["ALBERGAMO, MARIA"],"dc:date":["2011-12-10"],"dc:description":["Museum space has traditionally been a physical space, but also a relationship space, the place for the aesthetic and sensible experience to be held. At the level of expression, museum physical space has traditionally been characterized by three essential components: people, their movement space, and the things space. At the level of content, only visitor s actions. The space takes also its meaning from its relationship with the use being made, which is very often rigidly attached to the text; from the white cube to the dark box, the museum seems to always need a frame. The current research project aims to analyze the typology of the intended and prefigured use by the organization of museum space and spectacle. Keywords: museum, semiotic, experience spaces, spectacle, transdisciplinary perspective","Tradicionalmente el espacio museal es uno espacio fisico, pero también uno espacio de relacion, el lugar de la experencia estetica y sensibile. En el plano de la expression el espacio fisico del museo se caracteriza, tradicionalmente, por tres componentes principales: personas, espacios de su movimento y espacios de las cosas y en el plano del contenido solamente las aciones de los visitantes. Uno espacio no puede existir sin las praticas que tienen lugar en sí mismo, si el espacio toma el proprio sentido solamente por l uso, no podemos separar entonces el elemento espacial da elemento del actor. Tambien, el espacio toma su sentido por la relacion con el uso que se haga, que a menudo esta rígidamente inscritos en el texto; desde el cubo blanco hasta a la scatola negra aparece che el espacio museal necessita siempre di un frame. El presente proyecto tiene como objetivo analizar la tipologia del uso previsto y prefigurada por la organización del espacio museal y del espectaculo. Palabras claves: museo, semiótica, experiencia, espacio, espectaculo, prospetctiva intradisciplinaria"],"dc:identifier":["https://hdl.handle.net/20.500.11769/585410"],"dc:language":["ita"],"dc:publisher":["Università degli studi di Catania","place:Catania"],"dc:rights":["info:eu-repo/semantics/openAccess","license:PUBBLICO - Pubblico con Copyright","license uri:iris.PUB02"],"dc:subject":["museum, semiotic, experience spaces, spectacle, transdisciplinary perspective"],"dc:title":["Il museo: dallo spettacolo allo spettatore. Dispositivi, Sguardi, Strategie"],"dc:type":["info:eu-repo/semantics/doctoralThesis"]},"updated_at":"2026-07-24T01:35:06Z"}