{"id":{"repo_id":"carleton","oai_identifier":"oai:carleton.scholaris.ca:20.500.14718/42759"},"canonical_url":"https://search.dev.ndltd.org/etd/carleton/oai:carleton.scholaris.ca:20.500.14718/42759","repository":{"repo_id":"carleton","name":"Carleton University","base_url":"https://carleton.scholaris.ca/server/oai/request"},"display":{"title":"Trans*Vocal: Documenting Gender Subjectivity Through Changing Vocality","abstract":"Through my subjectivity as a non-binary, trans* vocalist, I am acutely aware of the sounds I have been enculturated to produce. Drawing on theories of vocality (Eidsheim 2019; Azul 2015), transition (Constansis 2013; Constansis and Foteinou 2017), and improvisation (Caines 2021), I analyze the relationship between voice and perceptions of gender by exploring the concept of transition as it is performed by my voice during the first seven and a half months of testosterone treatment (mid-June 2021 - January 2022). I contextualize my experience within historical and medical notions of gender and examine it through autoethnographic methods and creating an experimental music video, Trans*Vocal. I open up and make myself vulnerable in the hope that greater knowledge of trans* experience will bring appreciation for "non-normal" vocalizations. I aim to problematize our current language surrounding gender, voice, and transition and depict transition as a natural part of anyone's vocal journey.","abstract_html":"Through my subjectivity as a non-binary, trans* vocalist, I am acutely aware of the sounds I have been enculturated to produce. Drawing on theories of vocality (Eidsheim 2019; Azul 2015), transition (Constansis 2013; Constansis and Foteinou 2017), and improvisation (Caines 2021), I analyze the relationship between voice and perceptions of gender by exploring the concept of transition as it is performed by my voice during the first seven and a half months of testosterone treatment (mid-June 2021 - January 2022). I contextualize my experience within historical and medical notions of gender and examine it through autoethnographic methods and creating an experimental music video, Trans*Vocal. I open up and make myself vulnerable in the hope that greater knowledge of trans* experience will bring appreciation for "non-normal" vocalizations. I aim to problematize our current language surrounding gender, voice, and transition and depict transition as a natural part of anyone's vocal journey.","abstract_has_math":false,"creators":["Larose, Meghan Beth"],"institution":"Carleton University","degree_name":"Master of Arts (M.A.)","degree_level":"Master's","degree_discipline":"Music and Culture","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2022,"date_issued":"2022","date_published":"2022","updated_at":"2026-07-24T01:34:32Z","subjects":[],"languages":["en"],"rights":["Copyright © 2022 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. 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I aim to problematize our current language surrounding gender, voice, and transition and depict transition as a natural part of anyone's vocal journey."]},{"key":"dc:title","label":"Title","values":["Trans*Vocal: Documenting Gender Subjectivity Through Changing Vocality"]}]}],"canonical_facts":{"dc:creator":["Larose, Meghan Beth"],"dc:date.accessioned":["2025-04-08T20:43:37Z"],"dc:date.available":["2025-04-08T20:43:37Z"],"dc:date.issued":["2022"],"dc:description.abstract":["Through my subjectivity as a non-binary, trans* vocalist, I am acutely aware of the sounds I have been enculturated to produce. Drawing on theories of vocality (Eidsheim 2019; Azul 2015), transition (Constansis 2013; Constansis and Foteinou 2017), and improvisation (Caines 2021), I analyze the relationship between voice and perceptions of gender by exploring the concept of transition as it is performed by my voice during the first seven and a half months of testosterone treatment (mid-June 2021 - January 2022). 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