"Jamaican Funk - Canadian Style":Diasporic Dialogue and Hybridized Identity in the Music of Michie Mee

Michie Mee is a hip-hop artist who came to prominence in Toronto’s hip-hop scene in the 1980s. Michie Mee is an important figure in Canadian hip-hop for several reasons. She is a successful female rapper in a male-dominated performance sphere. Furthermore, she was the first Canadian rapper to gain support from established New York hip-hop acts such as Boogie Down Productions. Michie Mee was also the first Canadian rapper signed to an American record label (First Priority Music). However, what makes her especially unique is her expression of a distinct Jamaican/Canadian hybrid identity. From her earliest recordings “Run For Cover” and “Jamaican Funk: Canadian Style,” to 2012’s “Bahdgyal Bubble,” Michie Mee has promoted a strong Jamaican identity within her lyrical and visual style. By using theories of hybridity and third space, my thesis investigates Michie Mee’s articulation of a recognizable hybrid identity that projects both Canadian and Jamaican sensibilities.

Name thesis:degree_name

Master of Arts (M.A.)

Level thesis:degree_level

Master's

Discipline thesis:degree_discipline

Music and Culture

Grantor dc:publisher

Carleton University

Year dc:date.issued

2015

Author dc:creator

• Scobie, Niel

Statement dc:rights

• Copyright © 2015 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.

Language dc:language.iso

en

DOI

10.22215/etd/2015-11164

OAI identifier oai:identifier

oai:carleton.scholaris.ca:20.500.14718/32740