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Carleton University

Standing on the corner : aspects of contemporary Canadian sculpture

Abstract

dc:description.abstract

This thesis examines the relationship of object and image in the work of three sculptors, Roland Brener and Mowry Baden, both from Victoria, and Michel Goulet from Montreal. The writer examines the way objects used by these artists are transformed into images in such a way that the interpretation of sculpture is modified. These works stand in opposition to the tradition of formalist sculpture. The invention of the "ready-made" by Marcel Duchamp is acknowledged as the model for the appropriation of so-called "everyday" objects but is expanded to include the relationship of sculpture to objects produced in industrial mass production, as well as the notion of work in a post-industrial society.The works of Brener, Baden and Goulet will be situated in the larger frame of an international context, providing a theoretical orientation which I believe validates their placement in sculptural discourse as such. In general, this thesis focuses on the material components presented by the works which clearly distinguishes them from the tenets of abstract "formalism". A general model for the analysis of image-based sculpture being produced in Canada is proposed.

Degree

thesis:*
Name thesis:degree_name
Master of Arts (M.A.)
Level thesis:degree_level
Master's
Discipline thesis:degree_discipline
Canadian Studies
Grantor dc:publisher
Carleton University
Year dc:date.issued
1991

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Gould, Trevor (Trevor Peter)

Rights

dc:rights
Statement dc:rights
  • Copyright © 1991 the author(s). Theses may be used for non-commercial research, educational, or related academic purposes only. Such uses include personal study, research, scholarship, and teaching. Theses may only be shared by linking to Carleton University Institutional Repository and no part may be used without proper attribution to the author. No part may be used for commercial purposes directly or indirectly via a for-profit platform; no adaptation or derivative works are permitted without consent from the copyright owner.
Language dc:language.iso
en

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:carleton.scholaris.ca:20.500.14718/27247

Chain of custody

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Carleton University
Base URL
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Last updated
2026-07-24
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citation

Gould, Trevor (Trevor Peter). Standing on the corner : aspects of contemporary Canadian sculpture. Master's thesis, Carleton University, 1991. https://hdl.handle.net/20.500.14718/27247