{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/9701"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/9701","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Empty caves","abstract":"This MA thesis is divided into three parts. 1) A Preface, which concerns the act of writing this work, with a reflections on the attendant difficulties regarding editing and editorial distance. A placement of the poetry in relation to \"South African writing\", and to late 20th century poetry. A brief elucidation of the poems' preoccupations and concems. 2) Two Essays, entitled \"Dear Warlock-Williams: Why of Course: The Lonely Larkin\" and 'William Empson : His Modem Escape\". The first concerns Philip Larkin's uncanny ability to create a beauty out of irony, isolation, and desolation, his achievement of transcendence from entrapment. The second essay deals with William Empson's unique poetic position: a truly modem one. The essays puts forward the idea that Empson's poetry can be regarded as a struggle between a wish for escape and a need to engage with an horrendous \"objective\" reality. In other words, his struggle is between poetry and plain speaking; between art and science. 3) The Poems, which form a group of forty written throughout 1997/8. They have been thoroughly edited several times over, in close consultation with Assoc. Prof. Stephen Watson of the Department of English.","abstract_html":"This MA thesis is divided into three parts. 1) A Preface, which concerns the act of writing this work, with a reflections on the attendant difficulties regarding editing and editorial distance. A placement of the poetry in relation to "South African writing", and to late 20th century poetry. A brief elucidation of the poems' preoccupations and concems. 2) Two Essays, entitled "Dear Warlock-Williams: Why of Course: The Lonely Larkin" and 'William Empson : His Modem Escape". The first concerns Philip Larkin's uncanny ability to create a beauty out of irony, isolation, and desolation, his achievement of transcendence from entrapment. The second essay deals with William Empson's unique poetic position: a truly modem one. The essays puts forward the idea that Empson's poetry can be regarded as a struggle between a wish for escape and a need to engage with an horrendous "objective" reality. In other words, his struggle is between poetry and plain speaking; between art and science. 3) The Poems, which form a group of forty written throughout 1997/8. They have been thoroughly edited several times over, in close consultation with Assoc. Prof. Stephen Watson of the Department of English.","abstract_has_math":false,"creators":["Will, Gerhardt"],"institution":"Department of English Language and Literature","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1998,"date_issued":"1998","date_published":"1998","updated_at":"2026-07-22T22:22:49Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/9701","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Will, Gerhardt"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-11-18T17:01:49Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-11-18T17:01:49Z"]},{"key":"dc:date.issued","label":"Date","values":["1998"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Department of English Language and Literature"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/9701"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This MA thesis is divided into three parts. 1) A Preface, which concerns the act of writing this work, with a reflections on the attendant difficulties regarding editing and editorial distance. 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